Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 44 találatból.
47. oldal
... adopt where the sense of the au- thor does not immediately dictate . Thus in a former quotation from Milton , when fpeaking of Nimrod , he says : Hunting ( and men not beasts ' fhall be his game . Here I fay , the ear and understanding ...
... adopt where the sense of the au- thor does not immediately dictate . Thus in a former quotation from Milton , when fpeaking of Nimrod , he says : Hunting ( and men not beasts ' fhall be his game . Here I fay , the ear and understanding ...
71. oldal
... adopt the rifing inflexion : and often where there is no correfpondent pofitive mem- ber or fentence expreffed , if the negative member or sentence would admit of a po- fitive , and that the sense of this pofitive is agreeable to the ...
... adopt the rifing inflexion : and often where there is no correfpondent pofitive mem- ber or fentence expreffed , if the negative member or sentence would admit of a po- fitive , and that the sense of this pofitive is agreeable to the ...
85. oldal
... adopt as most fuitable to the meaning of the author . To this it may be answered , that whatever . tends to show the different import of each kind of emphafis , enables us the better to judge of the fuitableness or unsuitable- Befs of ...
... adopt as most fuitable to the meaning of the author . To this it may be answered , that whatever . tends to show the different import of each kind of emphafis , enables us the better to judge of the fuitableness or unsuitable- Befs of ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole