Elements of Elocution, 1781, 2. részScolar P., 1969 |
Részletek a könyvből
1 - 3 találat összesen 17 találatból.
261. oldal
... action in fpeaking is in the nature of things , the difficulty of acquiring the other requifites of an orator , and the ftill greater difficulty of attaining excellence in action , ( which after all our pains is lefs esteemed than ...
... action in fpeaking is in the nature of things , the difficulty of acquiring the other requifites of an orator , and the ftill greater difficulty of attaining excellence in action , ( which after all our pains is lefs esteemed than ...
262. oldal
... action ; and fome of their finest ftrokes of action would , perhaps , excite our laughter . The oratory , therefore , of the Greeks and Ro- mans in this point , is as ill fuited to a Bri- tifh auditor , as the accent and quantity of the ...
... action ; and fome of their finest ftrokes of action would , perhaps , excite our laughter . The oratory , therefore , of the Greeks and Ro- mans in this point , is as ill fuited to a Bri- tifh auditor , as the accent and quantity of the ...
268. oldal
... action of the arm which enforces the emphasis ought to be fo directed , that the ftroke of the hand may be given ex- actly on the word dash , this will give a concomitant action to the organs of pro- nunciation , and by this means the ...
... action of the arm which enforces the emphasis ought to be fo directed , that the ftroke of the hand may be given ex- actly on the word dash , this will give a concomitant action to the organs of pro- nunciation , and by this means the ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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able accent action adopt almoſt appear arms arrangement beautiful begin body bring called common confider death emphaſis emphatic emphatic words equal example expreffed eyes falling inflexion fame feel feems fenfe fentence fhall fight firſt fome fometimes force former foul fubject fuch fyllable give greater hand harmony head heard heart importance kind laft laſt latter live look loud lower manner mark means mind moft monotone moſt muſt nature neceffarily neceffary obferved object paffage paffion paufe pauſe perfon pitch pity poetry profe pronounced pronunciation raiſed reader reading reaſon require rifing inflexion rule ſenſe ſhall ſhould ſpeak ſpeaker thee thefe theſe thing thofe thoſe thou thought tion tone tone of voice uſe variety verfe verſe voice whole