Elements of Elocution, 1781, 2. részScolar P., 1969 |
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188. oldal
John Walker. He who through vaft immenfity can pierce , See worlds on worlds compofe one univerfe ; Obferve how fyftem into fyftem runs , What ... See Vol . I. p . 162 . ends , ends , ought to have the rifing inflexion alfo , 138 ELEMENTS OF.
John Walker. He who through vaft immenfity can pierce , See worlds on worlds compofe one univerfe ; Obferve how fyftem into fyftem runs , What ... See Vol . I. p . 162 . ends , ends , ought to have the rifing inflexion alfo , 138 ELEMENTS OF.
388. oldal
... See REFUSING . Denying an accufation . If I in act confent , or fin of thought , Be guilty of the ftealing that fweet breath , Which was embounded in that beauteous clay , Let hell want pains enough to torture me : I left him well ...
... See REFUSING . Denying an accufation . If I in act confent , or fin of thought , Be guilty of the ftealing that fweet breath , Which was embounded in that beauteous clay , Let hell want pains enough to torture me : I left him well ...
402. oldal
... See INQUIRY . Curiofity at firft Seeing a fine object . Prof. The fringed curtains of thine eye ad- vance , And fay what thou feeft yond . Mir . What is't a fpirit ? Lo how it looks about ! believe me , fir , It carries a brave form ...
... See INQUIRY . Curiofity at firft Seeing a fine object . Prof. The fringed curtains of thine eye ad- vance , And fay what thou feeft yond . Mir . What is't a fpirit ? Lo how it looks about ! believe me , fir , It carries a brave form ...
Tartalomjegyzék
ACCENT Page | 1 |
English Scotch and Irish Accent | 14 |
Theory of Emphatic Inflexion | 42 |
Copyright | |
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accented fyllable adopt affume againſt almoſt antithefis arife becauſe Cæfar cafe compofition confiderable conftitution couplet diftinct diſtance emphaſis emphatic words example exercife expreffed expreffion eyes faid Fair Penitent falling inflexion fame fameneſs feems fenfe fenſe fentence fhall fimilar firſt flexion foft fome fomething fometimes force foul fpeaker fpeaking fpeech ftill ftrefs ftrengthen ftrong fubject fuch fufficiently fuppofe give greateſt harmony heav'n himſelf infle inftance itſelf juſt laft laſt lefs Loft meaſure moft monotone moſt mufic muft muſt nature neceffarily neceffary neceffity neceſſary obferved ourſelves paffage paffion paufe pauſe perfon phatic pitch pleaſure poetry preferved profaic profe pronounced pronunciation purpoſe raiſed reader reading reaſon rifing inflexion riſing rule ſay ſeems ſenſe Shakspeare's ſhall find ſhould ſmall ſpeak ſtill ſtreſs tence thee thefe theſe theſe words thofe thoſe thou tion tone of voice underſtanding uſe utmoſt variety verfe verſe xion