The Apostrophic Moment in Nineteenth and Twentieth Century German Lyric PoetryP. Lang, 1988 - 218 oldal This series of provocative essays examines the learning process of the «Ich» in 19th and 20th century German lyric poetry. The apostrophic moment, which develops from a textual instant of emotional, intellectual, or psychological reciprocity between the «Ich» and a «Du», initiates a meaningful and vital learning process in the poem. Poets discussed include Clemens Brentano, Joseph von Eichendorff, Annette von Droste-Hülshoff, Conrad Ferdinand Meyer, Stefan George, Rainer Maria Rilke, Rudolf Borchardt, and Gottfried Benn. |
Részletek a könyvből
1 - 3 találat összesen 8 találatból.
79. oldal
... writes the poem within the comfort of nature . Here , the ' Ich ' reveals a distinctively romantic stance- he conceptualizes and hypothesizes about the future . Lines three and four of the last stanza typify this stance where the ' Ich ...
... writes the poem within the comfort of nature . Here , the ' Ich ' reveals a distinctively romantic stance- he conceptualizes and hypothesizes about the future . Lines three and four of the last stanza typify this stance where the ' Ich ...
132. oldal
... writes it is important to have a ' schöne Form ' which stimulates the mind and spirit of the reader and makes him receptive to the world of the poem . The poet should strive for a ' schöne Form ' not in and of itself but rather as a ...
... writes it is important to have a ' schöne Form ' which stimulates the mind and spirit of the reader and makes him receptive to the world of the poem . The poet should strive for a ' schöne Form ' not in and of itself but rather as a ...
176. oldal
... writes : Only when the world has been left behind , when passion and pain have subsided can the soul recover its birthright . Together , then , the mountain solitude and the waterfall express the poet's meaning.2 The ' Ich ' needs the ...
... writes : Only when the world has been left behind , when passion and pain have subsided can the soul recover its birthright . Together , then , the mountain solitude and the waterfall express the poet's meaning.2 The ' Ich ' needs the ...
Tartalomjegyzék
Introduction | 1 |
BennAbschied | 35 |
EichendorffAbschied | 63 |
Copyright | |
6 további fejezet nem látható
Gyakori szavak és kifejezések
Abschied achieve alliteration ambience anaphora Annette von Droste-Hülshoff apostrophic object aspect asserts associated beginning Benn Benn's bracketing Brentano's chiasmus coherence context creates creative darkness describes divine Droste-Hülshoff's Eichendorff's Einsamkeit emotional Entrückung establishes existence experience expression feeling fifth stanza formal and semantic fourth section fourth stanza function Gärten gesichter gluten Gott Gottfried Benn hermetic Herz Himmelslicht Ibid implies initial inner isolation John Fetzer Käte Hamburger language last stanza Leben line-final lyrical Mächte Mond Mondesaufgang moon Nachklänge nature notion nouns Orpheus orphic parallel participate phrase poem poet poetry potential present quatrain quest Rainer Maria Rilke reinforces relation represents reveals revitalization rhyme scheme Rilke Rilke's schatten Schmerzen second section second stanza sense sestet significance Sonnet 2,XXI sounds spatial stance stanza four stanza the Ich stanza three Stefan George suggests symbolic temporal tension tercet third section third stanza Tiefe tone transcend unity verb vitality Wasser Welt words Wort