The Apostrophic Moment in Nineteenth and Twentieth Century German Lyric PoetryP. Lang, 1988 - 218 oldal This series of provocative essays examines the learning process of the «Ich» in 19th and 20th century German lyric poetry. The apostrophic moment, which develops from a textual instant of emotional, intellectual, or psychological reciprocity between the «Ich» and a «Du», initiates a meaningful and vital learning process in the poem. Poets discussed include Clemens Brentano, Joseph von Eichendorff, Annette von Droste-Hülshoff, Conrad Ferdinand Meyer, Stefan George, Rainer Maria Rilke, Rudolf Borchardt, and Gottfried Benn. |
Részletek a könyvből
1 - 3 találat összesen 32 találatból.
26. oldal
... third section the ' Ich ' no longer has a direct presence in the poem . The ' Ich ' is described in the third person . The ' Ich ' has reached the limit of his expressive strength in the first person at the end of the second section . In ...
... third section the ' Ich ' no longer has a direct presence in the poem . The ' Ich ' is described in the third person . The ' Ich ' has reached the limit of his expressive strength in the first person at the end of the second section . In ...
27. oldal
... sections is resolved in the third section . The third section represents a continuation of these strategies and at the same time their transcendence . It continues the semantic tendency negatively by devaluing the subjective and ...
... sections is resolved in the third section . The third section represents a continuation of these strategies and at the same time their transcendence . It continues the semantic tendency negatively by devaluing the subjective and ...
191. oldal
... third section prepares the ' Ich ' and the poem for the fourth and final section . The transition from ' lösen ' to ' überfahren ' to ' flehen ' is aimed at arousing an increasingly emotional response . Yet the strongest grammatical ...
... third section prepares the ' Ich ' and the poem for the fourth and final section . The transition from ' lösen ' to ' überfahren ' to ' flehen ' is aimed at arousing an increasingly emotional response . Yet the strongest grammatical ...
Tartalomjegyzék
Introduction | 1 |
BennAbschied | 35 |
EichendorffAbschied | 63 |
Copyright | |
6 további fejezet nem látható
Gyakori szavak és kifejezések
Abschied achieve alliteration ambience anaphora Annette von Droste-Hülshoff apostrophic object aspect asserts associated beginning Benn Benn's bracketing Brentano's chiasmus coherence context creates creative darkness describes divine Droste-Hülshoff's Eichendorff's Einsamkeit emotional Entrückung establishes existence experience expression feeling fifth stanza formal and semantic fourth section fourth stanza function Gärten gesichter gluten Gott Gottfried Benn hermetic Herz Himmelslicht Ibid implies initial inner isolation John Fetzer Käte Hamburger language last stanza Leben line-final lyrical Mächte Mond Mondesaufgang moon Nachklänge nature notion nouns Orpheus orphic parallel participate phrase poem poet poetry potential present quatrain quest Rainer Maria Rilke reinforces relation represents reveals revitalization rhyme scheme Rilke Rilke's schatten Schmerzen second section second stanza sense sestet significance Sonnet 2,XXI sounds spatial stance stanza four stanza the Ich stanza three Stefan George suggests symbolic temporal tension tercet third section third stanza Tiefe tone transcend unity verb vitality Wasser Welt words Wort