The Apostrophic Moment in Nineteenth and Twentieth Century German Lyric PoetryP. Lang, 1988 - 218 oldal This series of provocative essays examines the learning process of the «Ich» in 19th and 20th century German lyric poetry. The apostrophic moment, which develops from a textual instant of emotional, intellectual, or psychological reciprocity between the «Ich» and a «Du», initiates a meaningful and vital learning process in the poem. Poets discussed include Clemens Brentano, Joseph von Eichendorff, Annette von Droste-Hülshoff, Conrad Ferdinand Meyer, Stefan George, Rainer Maria Rilke, Rudolf Borchardt, and Gottfried Benn. |
Részletek a könyvből
1 - 3 találat összesen 13 találatból.
138. oldal
... tercet is to remind the ' Ich ' that he must participate actively and sensitively in the totality of life if he is to claim ultimately the significance of his life . In the second tercet the ' Ich ' reinforces the encouragement of the ...
... tercet is to remind the ' Ich ' that he must participate actively and sensitively in the totality of life if he is to claim ultimately the significance of his life . In the second tercet the ' Ich ' reinforces the encouragement of the ...
189. oldal
... tercet the ' Ich ' experiences the music with a conspicuously more active stance . In line one of the fifth tercet the ' Ich ' is still a recipient of external action but he is now an active recipient . He is shaken by the ' wehen ' out ...
... tercet the ' Ich ' experiences the music with a conspicuously more active stance . In line one of the fifth tercet the ' Ich ' is still a recipient of external action but he is now an active recipient . He is shaken by the ' wehen ' out ...
190. oldal
... tercet is similarly important because it heralds a change in the attitude of the ' Ich ' . The ' Ich ' is no longer just willing to participate in the immediate experience of music . Now he wants to use that experience to learn ...
... tercet is similarly important because it heralds a change in the attitude of the ' Ich ' . The ' Ich ' is no longer just willing to participate in the immediate experience of music . Now he wants to use that experience to learn ...
Tartalomjegyzék
Introduction | 1 |
BennAbschied | 35 |
EichendorffAbschied | 63 |
Copyright | |
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Gyakori szavak és kifejezések
Abschied achieve alliteration ambience anaphora Annette von Droste-Hülshoff apostrophic object aspect asserts associated beginning Benn Benn's bracketing Brentano's chiasmus coherence context creates creative darkness describes divine Droste-Hülshoff's Eichendorff's Einsamkeit emotional Entrückung establishes existence experience expression feeling fifth stanza formal and semantic fourth section fourth stanza function Gärten gesichter gluten Gott Gottfried Benn hermetic Herz Himmelslicht Ibid implies initial inner isolation John Fetzer Käte Hamburger language last stanza Leben line-final lyrical Mächte Mond Mondesaufgang moon Nachklänge nature notion nouns Orpheus orphic parallel participate phrase poem poet poetry potential present quatrain quest Rainer Maria Rilke reinforces relation represents reveals revitalization rhyme scheme Rilke Rilke's schatten Schmerzen second section second stanza sense sestet significance Sonnet 2,XXI sounds spatial stance stanza four stanza the Ich stanza three Stefan George suggests symbolic temporal tension tercet third section third stanza Tiefe tone transcend unity verb vitality Wasser Welt words Wort