The Apostrophic Moment in Nineteenth and Twentieth Century German Lyric PoetryP. Lang, 1988 - 218 oldal This series of provocative essays examines the learning process of the «Ich» in 19th and 20th century German lyric poetry. The apostrophic moment, which develops from a textual instant of emotional, intellectual, or psychological reciprocity between the «Ich» and a «Du», initiates a meaningful and vital learning process in the poem. Poets discussed include Clemens Brentano, Joseph von Eichendorff, Annette von Droste-Hülshoff, Conrad Ferdinand Meyer, Stefan George, Rainer Maria Rilke, Rudolf Borchardt, and Gottfried Benn. |
Részletek a könyvből
1 - 3 találat összesen 9 találatból.
142. oldal
... quatrain : namely , to unify formally and semantically all of the lines of the individual quatrain . Notice also the bracketing strategy within the anapho- ric use of the dass - clauses . The first and third dass - clauses , contained ...
... quatrain : namely , to unify formally and semantically all of the lines of the individual quatrain . Notice also the bracketing strategy within the anapho- ric use of the dass - clauses . The first and third dass - clauses , contained ...
143. oldal
... quatrain , but to a much lesser degree . The singularly conspicu- ous one in the first quatrain occurs in the last line in the ' ei ' series ' preise ' , ' keinem ' , ' vergleichbar ' . The quantitative expan- sion of such vowel ...
... quatrain , but to a much lesser degree . The singularly conspicu- ous one in the first quatrain occurs in the last line in the ' ei ' series ' preise ' , ' keinem ' , ' vergleichbar ' . The quantitative expan- sion of such vowel ...
149. oldal
... quatrain . I interpret it as the third and final member of an anaphora of imperative forms which begins with ' singe ' and ' preise ' in the last line of the first quatrain . Yet , at the same time it is coupled with the first word of ...
... quatrain . I interpret it as the third and final member of an anaphora of imperative forms which begins with ' singe ' and ' preise ' in the last line of the first quatrain . Yet , at the same time it is coupled with the first word of ...
Tartalomjegyzék
Introduction | 1 |
BennAbschied | 35 |
EichendorffAbschied | 63 |
Copyright | |
6 további fejezet nem látható
Gyakori szavak és kifejezések
Abschied achieve alliteration ambience anaphora Annette von Droste-Hülshoff apostrophic object aspect asserts associated beginning Benn Benn's bracketing Brentano's chiasmus coherence context creates creative darkness describes divine Droste-Hülshoff's Eichendorff's Einsamkeit emotional Entrückung establishes existence experience expression feeling fifth stanza formal and semantic fourth section fourth stanza function Gärten gesichter gluten Gott Gottfried Benn hermetic Herz Himmelslicht Ibid implies initial inner isolation John Fetzer Käte Hamburger language last stanza Leben line-final lyrical Mächte Mond Mondesaufgang moon Nachklänge nature notion nouns Orpheus orphic parallel participate phrase poem poet poetry potential present quatrain quest Rainer Maria Rilke reinforces relation represents reveals revitalization rhyme scheme Rilke Rilke's schatten Schmerzen second section second stanza sense sestet significance Sonnet 2,XXI sounds spatial stance stanza four stanza the Ich stanza three Stefan George suggests symbolic temporal tension tercet third section third stanza Tiefe tone transcend unity verb vitality Wasser Welt words Wort