The Apostrophic Moment in Nineteenth and Twentieth Century German Lyric PoetryP. Lang, 1988 - 218 oldal This series of provocative essays examines the learning process of the «Ich» in 19th and 20th century German lyric poetry. The apostrophic moment, which develops from a textual instant of emotional, intellectual, or psychological reciprocity between the «Ich» and a «Du», initiates a meaningful and vital learning process in the poem. Poets discussed include Clemens Brentano, Joseph von Eichendorff, Annette von Droste-Hülshoff, Conrad Ferdinand Meyer, Stefan George, Rainer Maria Rilke, Rudolf Borchardt, and Gottfried Benn. |
Részletek a könyvből
1 - 3 találat összesen 13 találatból.
54. oldal
... fact that it , like the other stanzas , contains an initial anaphora . The focus of the anaphora ( constituted by the noun phrases ' ein letzter Tag ' , ' ein Wasser ' and ' ein hohes Licht ' ) has shifted from the verb to the noun ...
... fact that it , like the other stanzas , contains an initial anaphora . The focus of the anaphora ( constituted by the noun phrases ' ein letzter Tag ' , ' ein Wasser ' and ' ein hohes Licht ' ) has shifted from the verb to the noun ...
143. oldal
... fact that they are intralinear as well as interlinear . The semantic association of ' Zeige ' with ' Feigen ' and ' Zweigen ' is noticeably enhanced by the abun- dance of supporting ' ei ' rhymes in the quatrain . Three features of the ...
... fact that they are intralinear as well as interlinear . The semantic association of ' Zeige ' with ' Feigen ' and ' Zweigen ' is noticeably enhanced by the abun- dance of supporting ' ei ' rhymes in the quatrain . Three features of the ...
155. oldal
... fact that it is able to sustain the tension and yet imply its possible resolution in a heightened moment of affirmative and negative mutuality . Although Sonnets 2 , XIII and 2 , XXI have different strategies they share similar semantic ...
... fact that it is able to sustain the tension and yet imply its possible resolution in a heightened moment of affirmative and negative mutuality . Although Sonnets 2 , XIII and 2 , XXI have different strategies they share similar semantic ...
Tartalomjegyzék
Introduction | 1 |
BennAbschied | 35 |
EichendorffAbschied | 63 |
Copyright | |
6 további fejezet nem látható
Gyakori szavak és kifejezések
Abschied achieve alliteration ambience anaphora Annette von Droste-Hülshoff apostrophic object aspect asserts associated beginning Benn Benn's bracketing Brentano's chiasmus coherence context creates creative darkness describes divine Droste-Hülshoff's Eichendorff's Einsamkeit emotional Entrückung establishes existence experience expression feeling fifth stanza formal and semantic fourth section fourth stanza function Gärten gesichter gluten Gott Gottfried Benn hermetic Herz Himmelslicht Ibid implies initial inner isolation John Fetzer Käte Hamburger language last stanza Leben line-final lyrical Mächte Mond Mondesaufgang moon Nachklänge nature notion nouns Orpheus orphic parallel participate phrase poem poet poetry potential present quatrain quest Rainer Maria Rilke reinforces relation represents reveals revitalization rhyme scheme Rilke Rilke's schatten Schmerzen second section second stanza sense sestet significance Sonnet 2,XXI sounds spatial stance stanza four stanza the Ich stanza three Stefan George suggests symbolic temporal tension tercet third section third stanza Tiefe tone transcend unity verb vitality Wasser Welt words Wort