The Apostrophic Moment in Nineteenth and Twentieth Century German Lyric PoetryP. Lang, 1988 - 218 oldal This series of provocative essays examines the learning process of the «Ich» in 19th and 20th century German lyric poetry. The apostrophic moment, which develops from a textual instant of emotional, intellectual, or psychological reciprocity between the «Ich» and a «Du», initiates a meaningful and vital learning process in the poem. Poets discussed include Clemens Brentano, Joseph von Eichendorff, Annette von Droste-Hülshoff, Conrad Ferdinand Meyer, Stefan George, Rainer Maria Rilke, Rudolf Borchardt, and Gottfried Benn. |
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1 - 3 találat összesen 9 találatból.
26. oldal
... conception of isolation ; it ends with an address to the abstract conception of ' Gott ' . The second section begins with an apostrophe to the concrete conception of ' Gott ' and ends with the ' Ich ' presenting himself . This semantic ...
... conception of isolation ; it ends with an address to the abstract conception of ' Gott ' . The second section begins with an apostrophe to the concrete conception of ' Gott ' and ends with the ' Ich ' presenting himself . This semantic ...
164. oldal
... conception of the narrow ' Felsengrate ' coincides directly with the description of the ' Kreis ' in line 1. Both are character- ized by a limited spatial dimension . We may now revise our initial estimation of the interrelation of ...
... conception of the narrow ' Felsengrate ' coincides directly with the description of the ' Kreis ' in line 1. Both are character- ized by a limited spatial dimension . We may now revise our initial estimation of the interrelation of ...
202. oldal
... man . He believes that the only thought that keeps man from perishing altogether is the idea that " there is only one Thou , and that is God " . 1 Such a conception characterizes the second stage of the emotional 202 Conclusion.
... man . He believes that the only thought that keeps man from perishing altogether is the idea that " there is only one Thou , and that is God " . 1 Such a conception characterizes the second stage of the emotional 202 Conclusion.
Tartalomjegyzék
Introduction | 1 |
BennAbschied | 35 |
EichendorffAbschied | 63 |
Copyright | |
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Abschied achieve alliteration ambience anaphora Annette von Droste-Hülshoff apostrophic object aspect asserts associated beginning Benn Benn's bracketing Brentano's chiasmus coherence context creates creative darkness describes divine Droste-Hülshoff's Eichendorff's Einsamkeit emotional Entrückung establishes existence experience expression feeling fifth stanza formal and semantic fourth section fourth stanza function Gärten gesichter gluten Gott Gottfried Benn hermetic Herz Himmelslicht Ibid implies initial inner isolation John Fetzer Käte Hamburger language last stanza Leben line-final lyrical Mächte Mond Mondesaufgang moon Nachklänge nature notion nouns Orpheus orphic parallel participate phrase poem poet poetry potential present quatrain quest Rainer Maria Rilke reinforces relation represents reveals revitalization rhyme scheme Rilke Rilke's schatten Schmerzen second section second stanza sense sestet significance Sonnet 2,XXI sounds spatial stance stanza four stanza the Ich stanza three Stefan George suggests symbolic temporal tension tercet third section third stanza Tiefe tone transcend unity verb vitality Wasser Welt words Wort