The Apostrophic Moment in Nineteenth and Twentieth Century German Lyric PoetryP. Lang, 1988 - 218 oldal This series of provocative essays examines the learning process of the «Ich» in 19th and 20th century German lyric poetry. The apostrophic moment, which develops from a textual instant of emotional, intellectual, or psychological reciprocity between the «Ich» and a «Du», initiates a meaningful and vital learning process in the poem. Poets discussed include Clemens Brentano, Joseph von Eichendorff, Annette von Droste-Hülshoff, Conrad Ferdinand Meyer, Stefan George, Rainer Maria Rilke, Rudolf Borchardt, and Gottfried Benn. |
Részletek a könyvből
1 - 3 találat összesen 58 találatból.
15. oldal
Hugo Walter. ' Einsamkeit ' has a three - fold power : its three aspects are enumerated in the initial three lines of the poem ... aspect of the self because he needs an external object to project its influence back on the self . Brentano ...
Hugo Walter. ' Einsamkeit ' has a three - fold power : its three aspects are enumerated in the initial three lines of the poem ... aspect of the self because he needs an external object to project its influence back on the self . Brentano ...
52. oldal
... aspect of the implied ' Ich ' is unitemporal . The ' mein ' aspect of the ' Ich ' is multi - temporal . The two aspects are associated by the formal correspondence of ' besasst ' and ' besessen ' . Although ' besasst ' and ' besessen ...
... aspect of the implied ' Ich ' is unitemporal . The ' mein ' aspect of the ' Ich ' is multi - temporal . The two aspects are associated by the formal correspondence of ' besasst ' and ' besessen ' . Although ' besasst ' and ' besessen ...
119. oldal
... aspect which she reveals here is antithetical to that presented in the second stanza . She describes herself as lost ... aspects of the self . The end of the fourth stanza represents the emotional and psychological nadir of the poem ...
... aspect which she reveals here is antithetical to that presented in the second stanza . She describes herself as lost ... aspects of the self . The end of the fourth stanza represents the emotional and psychological nadir of the poem ...
Tartalomjegyzék
Introduction | 1 |
BennAbschied | 35 |
EichendorffAbschied | 63 |
Copyright | |
6 további fejezet nem látható
Gyakori szavak és kifejezések
Abschied achieve alliteration ambience anaphora Annette von Droste-Hülshoff apostrophic object aspect asserts associated beginning Benn Benn's bracketing Brentano's chiasmus coherence context creates creative darkness describes divine Droste-Hülshoff's Eichendorff's Einsamkeit emotional Entrückung establishes existence experience expression feeling fifth stanza formal and semantic fourth section fourth stanza function Gärten gesichter gluten Gott Gottfried Benn hermetic Herz Himmelslicht Ibid implies initial inner isolation John Fetzer Käte Hamburger language last stanza Leben line-final lyrical Mächte Mond Mondesaufgang moon Nachklänge nature notion nouns Orpheus orphic parallel participate phrase poem poet poetry potential present quatrain quest Rainer Maria Rilke reinforces relation represents reveals revitalization rhyme scheme Rilke Rilke's schatten Schmerzen second section second stanza sense sestet significance Sonnet 2,XXI sounds spatial stance stanza four stanza the Ich stanza three Stefan George suggests symbolic temporal tension tercet third section third stanza Tiefe tone transcend unity verb vitality Wasser Welt words Wort