The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
Részletek a könyvből
1 - 5 találat összesen 29 találatból.
. oldal
... virtue which is raised above the level of the earth, but lured back from its harsh asceticism in old age by the ... virtues and lying vices. If he chooses rightly that is an effect of grace; if he finally achieves salvation it is because ...
... virtue which is raised above the level of the earth, but lured back from its harsh asceticism in old age by the ... virtues and lying vices. If he chooses rightly that is an effect of grace; if he finally achieves salvation it is because ...
. oldal
... conflict which exists before he is born and continues after his death. Vice and virtue take up residence within him for a time and he is no more than their consenting instrument. He is, furthermore, an instrument in constant process. In ...
... conflict which exists before he is born and continues after his death. Vice and virtue take up residence within him for a time and he is no more than their consenting instrument. He is, furthermore, an instrument in constant process. In ...
. oldal
... Virtues. The World, the Flesh and the Devil besiege the Castle in vain, but Mankind, succumbing to the argument of Covetousness that his purse, not asceticism, will be his best friend in old age, returns to the earth and earthly values ...
... Virtues. The World, the Flesh and the Devil besiege the Castle in vain, but Mankind, succumbing to the argument of Covetousness that his purse, not asceticism, will be his best friend in old age, returns to the earth and earthly values ...
. oldal
... Virtue is no more than consent to their operation. Christ's own knight is precisely that, led, motivated, fortified by a power which lies elsewhere. He is therefore necessarily unfixed, in process: the discontinuity is diachronic as ...
... Virtue is no more than consent to their operation. Christ's own knight is precisely that, led, motivated, fortified by a power which lies elsewhere. He is therefore necessarily unfixed, in process: the discontinuity is diachronic as ...
. oldal
... virtue is possible only through withdrawal into the castle, a stronghold which represents a wall against the three adversaries who command the seven sins. The castle is within the world of the play, on earth, but presumably raised above ...
... virtue is possible only through withdrawal into the castle, a stronghold which represents a wall against the three adversaries who command the seven sins. The castle is within the world of the play, on earth, but presumably raised above ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly