The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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... that human nature, what it is to be a person, a man or a woman, a wife or a husband, is palpably unchanging. This ... that the two are held physically together seems a triumph of mortar over probability. The west wing, designed in the ...
... that human nature, what it is to be a person, a man or a woman, a wife or a husband, is palpably unchanging. This ... that the two are held physically together seems a triumph of mortar over probability. The west wing, designed in the ...
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... that fiction, like architecture and painting, is a signifying practice which can be understood in its period to the extent that it shares the meanings then in circulation. This is quite distinct from the claim that fiction reflects the ...
... that fiction, like architecture and painting, is a signifying practice which can be understood in its period to the extent that it shares the meanings then in circulation. This is quite distinct from the claim that fiction reflects the ...
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... that the strength and the resources are God's. Virtue is no more than consent to their operation. Christ's own knight is precisely that, led, motivated, fortified by a power which lies elsewhere. He is therefore necessarily unfixed, in ...
... that the strength and the resources are God's. Virtue is no more than consent to their operation. Christ's own knight is precisely that, led, motivated, fortified by a power which lies elsewhere. He is therefore necessarily unfixed, in ...
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... that the world was a sphere, Christian iconography continued to place the holy city of Jerusalem at the centre of a ... that leadeth to destruction, and many there be which go in thereat: because strait is the gate, and narrow is the way ...
... that the world was a sphere, Christian iconography continued to place the holy city of Jerusalem at the centre of a ... that leadeth to destruction, and many there be which go in thereat: because strait is the gate, and narrow is the way ...
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... that then, as now, the term 'man' both includes ('embraces', they say, inviting us to laugh) and simultaneously ... that the Globe may have had twenty-four sides (pp. 158–67), and this would certainly give the impression of a circle ...
... that then, as now, the term 'man' both includes ('embraces', they say, inviting us to laugh) and simultaneously ... that the Globe may have had twenty-four sides (pp. 158–67), and this would certainly give the impression of a circle ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly