The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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... spectator. The manner of the south front at Felbrigg is insistent and imperative. It seeks obedience rather than consent. Not that Felbrigg Hall belongs to the repressive apparatus. There are no traces here of the fortification ...
... spectator. The manner of the south front at Felbrigg is insistent and imperative. It seeks obedience rather than consent. Not that Felbrigg Hall belongs to the repressive apparatus. There are no traces here of the fortification ...
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... spectator. The setting of this timeless history is mapped in detail in a stage plan which accompanies the manuscript of The Castle of Perseverance. It is the earth where, after the fall of the angels, God placed Adam and Eve, vulnerable ...
... spectator. The setting of this timeless history is mapped in detail in a stage plan which accompanies the manuscript of The Castle of Perseverance. It is the earth where, after the fall of the angels, God placed Adam and Eve, vulnerable ...
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... spectators are invited to visualize within the place. The dialogue consistently expands the space of the playing area. References to 'walking and wending' along streets and roads, through fields and groves, indicate vast landscapes. The ...
... spectators are invited to visualize within the place. The dialogue consistently expands the space of the playing area. References to 'walking and wending' along streets and roads, through fields and groves, indicate vast landscapes. The ...
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... spectators are here offered an image of Mankind's condition and their own, and invited to identify in his perplexity a mirror of their own being. But the play also establishes a distance between the audience and the protagonist. The ...
... spectators are here offered an image of Mankind's condition and their own, and invited to identify in his perplexity a mirror of their own being. But the play also establishes a distance between the audience and the protagonist. The ...
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... spectators to make choices, precisely as if they were unified agents of their own actions. It therefore offers the ... spectator precisely by drawing a clear demarcation line between them. Classic realist theatre isolates the world of ...
... spectators to make choices, precisely as if they were unified agents of their own actions. It therefore offers the ... spectator precisely by drawing a clear demarcation line between them. Classic realist theatre isolates the world of ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly