The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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... identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any ...
... identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any ...
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... identified by their titles, and all other works by their authors or editors. Chapter 5, 'Alice Arden's crime', is a revised version of an essay which first appeared in Renaissance Drama 13 in 1982. It is reproduced by permission of ...
... identified by their titles, and all other works by their authors or editors. Chapter 5, 'Alice Arden's crime', is a revised version of an essay which first appeared in Renaissance Drama 13 in 1982. It is reproduced by permission of ...
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... identify the articulation of two quite distinct moments. Only fifty years divides the west wing chronologically from the south front, and yet that the two are held physically together seems a triumph of mortar over probability. The west ...
... identify the articulation of two quite distinct moments. Only fifty years divides the west wing chronologically from the south front, and yet that the two are held physically together seems a triumph of mortar over probability. The west ...
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... identify a similar discontinuity of meanings and knowledges, to chart in the drama of the sixteenth and seventeenth centuries the eventual construction of an order of subjectivity which is recognizably modern. The assumption I make is ...
... identify a similar discontinuity of meanings and knowledges, to chart in the drama of the sixteenth and seventeenth centuries the eventual construction of an order of subjectivity which is recognizably modern. The assumption I make is ...
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... identify with the 'I' of utterance and the 'I' who speaks. The subject is held in place in a specific discourse, a specific knowledge, by the meanings available there. In so far as signifying practice always precedes the individual, is ...
... identify with the 'I' of utterance and the 'I' who speaks. The subject is held in place in a specific discourse, a specific knowledge, by the meanings available there. In so far as signifying practice always precedes the individual, is ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly