The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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... heaven (ll.170–95). Only when the Flesh and the Devil on their scaffolds have declared their power and proclaimed Mankind's imminent destruction does the protagonist himself, at ground level, speak to define his own condition. He is ...
... heaven (ll.170–95). Only when the Flesh and the Devil on their scaffolds have declared their power and proclaimed Mankind's imminent destruction does the protagonist himself, at ground level, speak to define his own condition. He is ...
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... heaven, not by his merits but through the mercy of God. The Castle of Perseverance dates from the first quarter of the fifteenth century. It is the earliest and the largest complete extant morality play. A hundred years later in The ...
... heaven, not by his merits but through the mercy of God. The Castle of Perseverance dates from the first quarter of the fifteenth century. It is the earliest and the largest complete extant morality play. A hundred years later in The ...
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... heavens' from which divinities were lowered to the stage when the play required them: this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this ...
... heavens' from which divinities were lowered to the stage when the play required them: this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this ...
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... heavens' and 'hell', the space below the stage from which infernal figures appeared through a trapdoor as necessary ... heaven and hell, conducted and reconducted the struggles of which they were part and with which they were continuous ...
... heavens' and 'hell', the space below the stage from which infernal figures appeared through a trapdoor as necessary ... heaven and hell, conducted and reconducted the struggles of which they were part and with which they were continuous ...
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Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly