The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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... discourse. To be a subject is to be able to speak, to give meaning. But the range of meanings it is possible to give at a particular historical moment is determined outside the subject. The subject is not the origin of meanings, not ...
... discourse. To be a subject is to be able to speak, to give meaning. But the range of meanings it is possible to give at a particular historical moment is determined outside the subject. The subject is not the origin of meanings, not ...
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... discourse; it is perpetually displaced by the trace of alterity within the identity which is no more than an effect of difference. A specific discourse is always embattled, forever defending the limits of what is admissible, legitimate ...
... discourse; it is perpetually displaced by the trace of alterity within the identity which is no more than an effect of difference. A specific discourse is always embattled, forever defending the limits of what is admissible, legitimate ...
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... discourses and institutions which sustain it, deserves detailed analysis. But there are alternative dangers in a ... discourse which excludes both Marxism and post-structuralism. The common feature of liberal humanism, justifying the ...
... discourses and institutions which sustain it, deserves detailed analysis. But there are alternative dangers in a ... discourse which excludes both Marxism and post-structuralism. The common feature of liberal humanism, justifying the ...
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... discourses, and this rivalry is not resolved. Tragedy is no more, however, than a point of departure. I make considerable reference to plays not classed as tragedies, and to texts not in the category of fiction. On the assumption that ...
... discourses, and this rivalry is not resolved. Tragedy is no more, however, than a point of departure. I make considerable reference to plays not classed as tragedies, and to texts not in the category of fiction. On the assumption that ...
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... discourses, the figure of man is threatened by the return of the repressed – language, of which he is no more than an effect. Should the reassertion of language, which currently offers to dislodge the certainties of humanist ...
... discourses, the figure of man is threatened by the return of the repressed – language, of which he is no more than an effect. Should the reassertion of language, which currently offers to dislodge the certainties of humanist ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly