The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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... defines subjectivity and addresses the subject, fiction is a primary location of the production of meanings of and for the subject. The fiction of the past, intelligible in its period to the extent that it participates in the meanings ...
... defines subjectivity and addresses the subject, fiction is a primary location of the production of meanings of and for the subject. The fiction of the past, intelligible in its period to the extent that it participates in the meanings ...
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... it felt'. Meanings are not the record of experience, though they may define the conditions of its possibility. On the assumption that meanings are first learned, rather than experienced or felt, the meanings in circulation at a given.
... it felt'. Meanings are not the record of experience, though they may define the conditions of its possibility. On the assumption that meanings are first learned, rather than experienced or felt, the meanings in circulation at a given.
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... defines and redefines the subject, problematizes the areas of subjectivity which seem most natural, most inevitable, most evidently given. It also addresses the subject. A specific text proffers a specific subject-position from which it ...
... defines and redefines the subject, problematizes the areas of subjectivity which seem most natural, most inevitable, most evidently given. It also addresses the subject. A specific text proffers a specific subject-position from which it ...
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... define what it is to be a man or a woman. In addition, while a sermon or a treatise on the same topic relies for its success on the elimination of difficulties, narrative depends for its continuation on obstacles and impediments to the ...
... define what it is to be a man or a woman. In addition, while a sermon or a treatise on the same topic relies for its success on the elimination of difficulties, narrative depends for its continuation on obstacles and impediments to the ...
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... defines him by her difference. That history is not yet complete. We are a product of it and we produce – and ... define his own condition. He is faint and feeble, bemused, uncertain whether to go or to stay; he does not know why he was ...
... defines him by her difference. That history is not yet complete. We are a product of it and we produce – and ... define his own condition. He is faint and feeble, bemused, uncertain whether to go or to stay; he does not know why he was ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly