The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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Identity and Difference in Renaissance Drama Catherine Belsey. PREFACE. This book has three main aims. The first is to contribute to the construction of a history of the subject in the sixteenth and seventeenth centuries. The human subject, ...
Identity and Difference in Renaissance Drama Catherine Belsey. PREFACE. This book has three main aims. The first is to contribute to the construction of a history of the subject in the sixteenth and seventeenth centuries. The human subject, ...
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Identity and Difference in Renaissance Drama Catherine Belsey. in the 1620s to be seen from the outside. But the meanings it makes visible are hard to read in the twentieth century because they participate in a signifying practice ...
Identity and Difference in Renaissance Drama Catherine Belsey. in the 1620s to be seen from the outside. But the meanings it makes visible are hard to read in the twentieth century because they participate in a signifying practice ...
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Identity and Difference in Renaissance Drama Catherine Belsey. experienced or felt, the meanings in circulation at a given moment specify the limits of what can be said and understood. The range of ways of understanding what it is to be a ...
Identity and Difference in Renaissance Drama Catherine Belsey. experienced or felt, the meanings in circulation at a given moment specify the limits of what can be said and understood. The range of ways of understanding what it is to be a ...
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Identity and Difference in Renaissance Drama Catherine Belsey. the period of licensing plays and players is indicative of the government's concern with the political implications of drama. The Stuarts extended royal control by converting ...
Identity and Difference in Renaissance Drama Catherine Belsey. the period of licensing plays and players is indicative of the government's concern with the political implications of drama. The Stuarts extended royal control by converting ...
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Identity and Difference in Renaissance Drama Catherine Belsey. the subject is the free, unconstrained author of meaning and action, the origin of history. Unified, knowing and autonomous, the human being seeks a political system which ...
Identity and Difference in Renaissance Drama Catherine Belsey. the subject is the free, unconstrained author of meaning and action, the origin of history. Unified, knowing and autonomous, the human being seeks a political system which ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly