The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
Részletek a könyvből
1 - 5 találat összesen 19 találatból.
. oldal
... Mankind rises unsteadily to his feet. Under the bed is his soul, concealed there ready to rise and play at the inevitable moment in the future when Mankind's death will release it from its temporary alliance with the body. In between, ...
... Mankind rises unsteadily to his feet. Under the bed is his soul, concealed there ready to rise and play at the inevitable moment in the future when Mankind's death will release it from its temporary alliance with the body. In between, ...
. oldal
... Mankind's imminent destruction does the protagonist himself, at ground level, speak to define his own condition. He is faint and feeble, bemused, uncertain whether to go or to stay; he does not know why he was born; he has no power to ...
... Mankind's imminent destruction does the protagonist himself, at ground level, speak to define his own condition. He is faint and feeble, bemused, uncertain whether to go or to stay; he does not know why he was born; he has no power to ...
. oldal
... Mankind, whose Angels constantly impel him to change, cannot stand still. He is obliged to choose the direction of his earthly pilgrimage. But no choice is ever final. Repentance is perpetually possible; temptation inevitably recurs ...
... Mankind, whose Angels constantly impel him to change, cannot stand still. He is obliged to choose the direction of his earthly pilgrimage. But no choice is ever final. Repentance is perpetually possible; temptation inevitably recurs ...
. oldal
... Mankind's instructor. 'Oppresse yowr gostly enmy and be Crystys own knyght' (ll.228–9). The answer to the riddle is, of course, that the strength and the resources are God's. Virtue is no more than consent to their operation. Christ's ...
... Mankind's instructor. 'Oppresse yowr gostly enmy and be Crystys own knyght' (ll.228–9). The answer to the riddle is, of course, that the strength and the resources are God's. Virtue is no more than consent to their operation. Christ's ...
. oldal
... Mankind's bed. At various compass points on the circumference are the scaffolds of the World, the Flesh and the Devil, Covetousness and God. Medieval maps of the world show a circle surrounded by. (Reproduced from Furnivall and Pollard ...
... Mankind's bed. At various compass points on the circumference are the scaffolds of the World, the Flesh and the Devil, Covetousness and God. Medieval maps of the world show a circle surrounded by. (Reproduced from Furnivall and Pollard ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly