The Subject of Tragedy (Routledge Revivals): Identity and Difference in Renaissance DramaRoutledge, 2014. jún. 17. - 270 oldal First published in 1985, The Subject of Tragedy takes the drama of the sixteenth and seventeenth centuries as the starting point for an analysis of the differential identities of man and woman. Catherine Belsey charts, in a range of fictional and non-fictional texts, the production in the Renaissance of a meaning for subjectivity that is identifiably modern. The subject of liberal humanism – self-determining, free origin of language, choice and action – is highlighted as the product of a specific period in which man was the subject to which woman was related. |
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... God. Bullied, cajoled and coerced, uncertain and unstable, the eminently unheroic hero of The Castle of Perseverance displays for his fifteenth-century audience the frailty and the vanity of man. In The Order of Things, first published ...
... God. Bullied, cajoled and coerced, uncertain and unstable, the eminently unheroic hero of The Castle of Perseverance displays for his fifteenth-century audience the frailty and the vanity of man. In The Order of Things, first published ...
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... God's mercy, Mankind dies, and the remainder of the play makes it clear that by his choices he has incurred damnation. His soul is carried off to hell and saved, after a debate in heaven, not by his merits but through the mercy of God ...
... God's mercy, Mankind dies, and the remainder of the play makes it clear that by his choices he has incurred damnation. His soul is carried off to hell and saved, after a debate in heaven, not by his merits but through the mercy of God ...
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... God's. Virtue is no more than consent to their operation. Christ's own knight is precisely that, led, motivated, fortified by a power which lies elsewhere. He is therefore necessarily unfixed, in process: the discontinuity is diachronic ...
... God's. Virtue is no more than consent to their operation. Christ's own knight is precisely that, led, motivated, fortified by a power which lies elsewhere. He is therefore necessarily unfixed, in process: the discontinuity is diachronic ...
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... God and the Devil. 2.2. The. spectator. The setting of this timeless history is mapped in detail in a stage plan which accompanies the manuscript of The Castle of Perseverance. It is the earth where, after the fall of the angels, God ...
... God and the Devil. 2.2. The. spectator. The setting of this timeless history is mapped in detail in a stage plan which accompanies the manuscript of The Castle of Perseverance. It is the earth where, after the fall of the angels, God ...
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... God's scaffold is in the east, the source of the Second Coming. Opposite is the scaffold of the World. The Devil, as ... God. On all other sides are the scaffolds of his enemies, including Covetousness, who offer worldly enticements to ...
... God's scaffold is in the east, the source of the Second Coming. Opposite is the scaffold of the World. The Devil, as ... God. On all other sides are the scaffolds of his enemies, including Covetousness, who offer worldly enticements to ...
Más kiadások - Összes megtekintése
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Korlátozott előnézet - 2014 |
The Subject of Tragedy (Routledge Revivals): Identity and Difference in ... Catherine Belsey Nincs elérhető előnézet - 2015 |
Gyakori szavak és kifejezések
absolutism absolutist Alice’s Antony Antony and Cleopatra Arden Arden of Faversham audience authority autonomy become Bracciano Caesar Castle of Perseverance Cleopatra commonwealth conflict death defined Devil difference discourse divorce Dod and Cleaver drama Duchess of Malfi effect emblematic empirical knowledge enforced marriage Everyman evidence evil father Faustus fiction freedom God’s Griselda guarantee Hamlet heaven hell hero Hieronimo humanist husband ibid identify implies instance Jaffeir John Julius Caesar justice King liberal humanism liberal-humanist London Mankind Mariam marriage marry meaning Methuen monarch moral murder narrative nature obedience offers patriarchal play political position present Renaissance revenge romantic love Sejanus sense seventeenth century sexual signifying practice sixteenth social body soliloquy sovereign sovereignty Spanish Tragedy speak spectator speech stage struggle subject of liberal thou Tragedy Tragedy of Mariam tyranny unified Vice virtue Vittoria W. W. Greg wife William Shakespeare woman women worldly