Big-Time ShakespeareRoutledge, 2005. aug. 12. - 272 oldal Shakespeare has made the big time. No less than the Beatles or Liberace, Elvis Presley or Mick Jagger, Shakespeare is big-time in the idiomatic sense of cultural success and widespread notoriety. Not only has he achieved canonical status, Shakespeare is a contemporary celebrity. His artistic distinction and aptitude for controversy constantly keeps his name in the public eye. Bristol debates Shakespeare's cultural authority, and clarifies the semantics of his name in our culture. Big-Time Shakespeare suggests his plays represent the pathos of our civilisation with extraordinary force and clarity. Shakespeare's contradictory understanding of the social and cultural past is also examined with close analysis of The Winter's Tale, Othello, and Hamlet. |
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1 - 5 találat összesen 48 találatból.
i. oldal
... success and widespread notoriety. Other literary figures may achieve canonical status within the academic community based on claims for artistic distinction, but Shakespeare is unusual in that he has also achieved contemporary celebrity ...
... success and widespread notoriety. Other literary figures may achieve canonical status within the academic community based on claims for artistic distinction, but Shakespeare is unusual in that he has also achieved contemporary celebrity ...
viii. oldal
... success stories. Big-time Shakespeare, as the title suggests, is concerned with the commercial initiatives that account for the remarkably durable and endlessly renewable fortune of Shakespeare's works. Whether the Beatles - or Elvis ...
... success stories. Big-time Shakespeare, as the title suggests, is concerned with the commercial initiatives that account for the remarkably durable and endlessly renewable fortune of Shakespeare's works. Whether the Beatles - or Elvis ...
ix. oldal
... success of these films depends crucially on the mobility of cultural consumers and this is what accounts for producers' reticence about overt reference to Shakespeare's name. By avoiding explicit utterance of Shakespeare's name, film ...
... success of these films depends crucially on the mobility of cultural consumers and this is what accounts for producers' reticence about overt reference to Shakespeare's name. By avoiding explicit utterance of Shakespeare's name, film ...
xi. oldal
... successful in achieving disciplinary effects, even when media of transmission have been organized to accomplish the purpose of social regulation. Even when it can be shown, moreover, that the design and distribution of cultural products ...
... successful in achieving disciplinary effects, even when media of transmission have been organized to accomplish the purpose of social regulation. Even when it can be shown, moreover, that the design and distribution of cultural products ...
3. oldal
... success, high visibility, and notoriety. Other literary figures may achieve canonical status within the academic community based on claims to artistic distinction, but Shakespeare is unusual in that he has also achieved contemporary ...
... success, high visibility, and notoriety. Other literary figures may achieve canonical status within the academic community based on claims to artistic distinction, but Shakespeare is unusual in that he has also achieved contemporary ...
Tartalomjegyzék
The bias of the world | 30 |
Shakespearean technologies | 59 |
Crying all the way to the bank | 88 |
essential Shakespeare | 121 |
Social time in The Winters Tale | 147 |
Race and the comedy of abjection in Othello | 175 |
Calvin and Hobbes or what was democracy | 203 |
References | 235 |
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achieved activity actually aesthetic affirmation articulate artifacts artistic audience authorship Bakhtin Big-time Shakespeare Bloom Branagh Calvin Calvin and Hobbes Candlemas carnivalesque celebrity century character charivari commercial commodity companies complex contemporary context critics critique cultural authority cultural consumers cultural market cultural production culture industry Davenant Desdemona dialogue discussion early modern economic editors Edmond Malone ethical expression feast festive film fundamental Garrick gift gift economy Hamlet Harold Bloom historical human idea ideological important individual institutional interests interpretation Jacob Tonson judgements kind Leontes Liberace literary Lord Morpheus Malone Malone's edition marriage means ment Merchant of Venice misrecognition moral Morpheus notion Othello performance play's players political Polixenes popular practice printed radical readers reading recent ritual role sense serial reciprocity sexual Shakespeare's authority Shakespeare's plays sheepshearing show business simply social spatio-temporal specific standard story success successor cultures suggests temporal textual theater theatrical tion traditional William Shakespeare Winter's Tale