Big-Time ShakespeareRoutledge, 2005. aug. 12. - 272 oldal Shakespeare has made the big time. No less than the Beatles or Liberace, Elvis Presley or Mick Jagger, Shakespeare is big-time in the idiomatic sense of cultural success and widespread notoriety. Not only has he achieved canonical status, Shakespeare is a contemporary celebrity. His artistic distinction and aptitude for controversy constantly keeps his name in the public eye. Bristol debates Shakespeare's cultural authority, and clarifies the semantics of his name in our culture. Big-Time Shakespeare suggests his plays represent the pathos of our civilisation with extraordinary force and clarity. Shakespeare's contradictory understanding of the social and cultural past is also examined with close analysis of The Winter's Tale, Othello, and Hamlet. |
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1 - 5 találat összesen 53 találatból.
iv. oldal
... interpretation. 2. Shakespeare, William, 1564-1616 — Stage history. 3. Canon (Literature) 4. Theater — History. PR2976.B658 1996 95-48493 822.3'3-dc20 ISBN 0-4 15-0601 6-8 (hbk) ISBN 0-415-06017-6 (pbk) Contents Preface vii ...
... interpretation. 2. Shakespeare, William, 1564-1616 — Stage history. 3. Canon (Literature) 4. Theater — History. PR2976.B658 1996 95-48493 822.3'3-dc20 ISBN 0-4 15-0601 6-8 (hbk) ISBN 0-415-06017-6 (pbk) Contents Preface vii ...
xi. oldal
... interpret their world. This kind of wishful thinking, typical of ideology, is likely to be both untrue and ineffectual in the long run. Technical innovation, along with the appeal of cross-over markets, tends to out-pace and eventually ...
... interpret their world. This kind of wishful thinking, typical of ideology, is likely to be both untrue and ineffectual in the long run. Technical innovation, along with the appeal of cross-over markets, tends to out-pace and eventually ...
7. oldal
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8. oldal
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Tartalomjegyzék
The bias of the world | 30 |
Shakespearean technologies | 59 |
Crying all the way to the bank | 88 |
essential Shakespeare | 121 |
Social time in The Winters Tale | 147 |
Race and the comedy of abjection in Othello | 175 |
Calvin and Hobbes or what was democracy | 203 |
235 | |
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achieved activity actually aesthetic affirmation articulate artifacts artistic audience authorship Bakhtin Big-time Shakespeare Bloom Branagh Calvin Calvin and Hobbes Candlemas carnivalesque celebrity century character charivari commercial commodity companies complex contemporary context critics critique cultural authority cultural consumers cultural market cultural production culture industry Davenant Desdemona dialogue discussion early modern economic editors Edmond Malone ethical expression feast festive film fundamental Garrick gift gift economy Hamlet Harold Bloom historical human idea ideological important individual institutional interests interpretation Jacob Tonson judgements kind Leontes Liberace literary Lord Morpheus Malone Malone's edition marriage means ment Merchant of Venice misrecognition moral Morpheus notion Othello performance play's players political Polixenes popular practice printed radical readers reading recent ritual role sense serial reciprocity sexual Shakespeare's authority Shakespeare's plays sheepshearing show business simply social spatio-temporal specific standard story success successor cultures suggests temporal textual theater theatrical tion traditional William Shakespeare Winter's Tale