Big-Time ShakespeareRoutledge, 2005. aug. 12. - 272 oldal Shakespeare has made the big time. No less than the Beatles or Liberace, Elvis Presley or Mick Jagger, Shakespeare is big-time in the idiomatic sense of cultural success and widespread notoriety. Not only has he achieved canonical status, Shakespeare is a contemporary celebrity. His artistic distinction and aptitude for controversy constantly keeps his name in the public eye. Bristol debates Shakespeare's cultural authority, and clarifies the semantics of his name in our culture. Big-Time Shakespeare suggests his plays represent the pathos of our civilisation with extraordinary force and clarity. Shakespeare's contradictory understanding of the social and cultural past is also examined with close analysis of The Winter's Tale, Othello, and Hamlet. |
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viii. oldal
... market. The present work is also concerned with this problem of value, and specifically with how the value of ... cultural goods and services that circulate in the commercial marketplace. There can be no doubt that Shakespeare is one of ...
... market. The present work is also concerned with this problem of value, and specifically with how the value of ... cultural goods and services that circulate in the commercial marketplace. There can be no doubt that Shakespeare is one of ...
ix. oldal
... cultural value. It is widely used in vernacular idiom and throughout the genres of popular culture from advertising ... market for cultural goods and services is the initial focus of Big-time Shakespeare. In the opening chapters of this ...
... cultural value. It is widely used in vernacular idiom and throughout the genres of popular culture from advertising ... market for cultural goods and services is the initial focus of Big-time Shakespeare. In the opening chapters of this ...
x. oldal
... cultural market. Indeed, it ought to be self-evident that without widely available and inexpensive editions of his works, the longue duree of Shakespeare as a value within our public culture is simply inconceivable. Commercial profit ...
... cultural market. Indeed, it ought to be self-evident that without widely available and inexpensive editions of his works, the longue duree of Shakespeare as a value within our public culture is simply inconceivable. Commercial profit ...
xi. oldal
... cultural goods bearing the Shakespeare trademark are as likely as not quite indifferent to the ideological payloads ... market for cultural goods and services tends to confirm the vernacular intuition that his works have some real social ...
... cultural goods bearing the Shakespeare trademark are as likely as not quite indifferent to the ideological payloads ... market for cultural goods and services tends to confirm the vernacular intuition that his works have some real social ...
xii. oldal
Michael D. Bristol. The brisk circulation of Shakespeare's works in the cultural market may in fact hint at a more durable basis for the value and authority of these artifacts. Professional critics, theatrical producers and cultural ...
Michael D. Bristol. The brisk circulation of Shakespeare's works in the cultural market may in fact hint at a more durable basis for the value and authority of these artifacts. Professional critics, theatrical producers and cultural ...
Tartalomjegyzék
The bias of the world | 30 |
Shakespearean technologies | 59 |
Crying all the way to the bank | 88 |
essential Shakespeare | 121 |
Social time in The Winters Tale | 147 |
Race and the comedy of abjection in Othello | 175 |
Calvin and Hobbes or what was democracy | 203 |
235 | |
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achieved activity actually aesthetic affirmation articulate artifacts artistic audience authorship Bakhtin Big-time Shakespeare Bloom Branagh Calvin Calvin and Hobbes Candlemas carnivalesque celebrity century character charivari commercial commodity companies complex contemporary context critics critique cultural authority cultural consumers cultural market cultural production culture industry Davenant Desdemona dialogue discussion early modern economic editors Edmond Malone ethical expression feast festive film fundamental Garrick gift gift economy Hamlet Harold Bloom historical human idea ideological important individual institutional interests interpretation Jacob Tonson judgements kind Leontes Liberace literary Lord Morpheus Malone Malone's edition marriage means ment Merchant of Venice misrecognition moral Morpheus notion Othello performance play's players political Polixenes popular practice printed radical readers reading recent ritual role sense serial reciprocity sexual Shakespeare's authority Shakespeare's plays sheepshearing show business simply social spatio-temporal specific standard story success successor cultures suggests temporal textual theater theatrical tion traditional William Shakespeare Winter's Tale