Big-Time ShakespeareRoutledge, 2005. aug. 12. - 272 oldal Shakespeare has made the big time. No less than the Beatles or Liberace, Elvis Presley or Mick Jagger, Shakespeare is big-time in the idiomatic sense of cultural success and widespread notoriety. Not only has he achieved canonical status, Shakespeare is a contemporary celebrity. His artistic distinction and aptitude for controversy constantly keeps his name in the public eye. Bristol debates Shakespeare's cultural authority, and clarifies the semantics of his name in our culture. Big-Time Shakespeare suggests his plays represent the pathos of our civilisation with extraordinary force and clarity. Shakespeare's contradictory understanding of the social and cultural past is also examined with close analysis of The Winter's Tale, Othello, and Hamlet. |
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1 - 5 találat összesen 38 találatból.
vii. oldal
... commercial interest. At the same time, discovering the value of the Beatles for herself entails a complex and even paradoxical redefinition of her relationship with her parents. Sharing the Beatles with friends of her own age depends ...
... commercial interest. At the same time, discovering the value of the Beatles for herself entails a complex and even paradoxical redefinition of her relationship with her parents. Sharing the Beatles with friends of her own age depends ...
viii. oldal
... commercial marketplace. There can be no doubt that Shakespeare is one of the great show business success stories. Big-time Shakespeare, as the title suggests, is concerned with the commercial initiatives that account for the remarkably ...
... commercial marketplace. There can be no doubt that Shakespeare is one of the great show business success stories. Big-time Shakespeare, as the title suggests, is concerned with the commercial initiatives that account for the remarkably ...
ix. oldal
... commercials inform viewers that Castle Rock Entertainment will present Othello. But of course the force of these commercial messages is in the way they prompt viewers to supply the omission by invoking the name of Shakespeare for ...
... commercials inform viewers that Castle Rock Entertainment will present Othello. But of course the force of these commercial messages is in the way they prompt viewers to supply the omission by invoking the name of Shakespeare for ...
x. oldal
... Commercial profit rather than a wish to guarantee the durable public value of Shakespeare is the motive that best accounts for the diverse enterprises of book publishers, theater managers, film-makers and television producers. The ...
... Commercial profit rather than a wish to guarantee the durable public value of Shakespeare is the motive that best accounts for the diverse enterprises of book publishers, theater managers, film-makers and television producers. The ...
xi. oldal
... commercial trade in leisure activity. The most opportunistic market initiatives may express, though in a dim and often grossly distorted way, the conviction that Shakespeare's works have had extraordinary saliency for the successor ...
... commercial trade in leisure activity. The most opportunistic market initiatives may express, though in a dim and often grossly distorted way, the conviction that Shakespeare's works have had extraordinary saliency for the successor ...
Tartalomjegyzék
The bias of the world | 30 |
Shakespearean technologies | 59 |
Crying all the way to the bank | 88 |
essential Shakespeare | 121 |
Social time in The Winters Tale | 147 |
Race and the comedy of abjection in Othello | 175 |
Calvin and Hobbes or what was democracy | 203 |
References | 235 |
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achieved activity actually aesthetic affirmation articulate artifacts artistic audience authorship Bakhtin Big-time Shakespeare Bloom Branagh Calvin Calvin and Hobbes Candlemas carnivalesque celebrity century character charivari commercial commodity companies complex contemporary context critics critique cultural authority cultural consumers cultural market cultural production culture industry Davenant Desdemona dialogue discussion early modern economic editors Edmond Malone ethical expression feast festive film fundamental Garrick gift gift economy Hamlet Harold Bloom historical human idea ideological important individual institutional interests interpretation Jacob Tonson judgements kind Leontes Liberace literary Lord Morpheus Malone Malone's edition marriage means ment Merchant of Venice misrecognition moral Morpheus notion Othello performance play's players political Polixenes popular practice printed radical readers reading recent ritual role sense serial reciprocity sexual Shakespeare's authority Shakespeare's plays sheepshearing show business simply social spatio-temporal specific standard story success successor cultures suggests temporal textual theater theatrical tion traditional William Shakespeare Winter's Tale