Big-Time ShakespeareRoutledge, 2005. aug. 12. - 272 oldal Shakespeare has made the big time. No less than the Beatles or Liberace, Elvis Presley or Mick Jagger, Shakespeare is big-time in the idiomatic sense of cultural success and widespread notoriety. Not only has he achieved canonical status, Shakespeare is a contemporary celebrity. His artistic distinction and aptitude for controversy constantly keeps his name in the public eye. Bristol debates Shakespeare's cultural authority, and clarifies the semantics of his name in our culture. Big-Time Shakespeare suggests his plays represent the pathos of our civilisation with extraordinary force and clarity. Shakespeare's contradictory understanding of the social and cultural past is also examined with close analysis of The Winter's Tale, Othello, and Hamlet. |
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v. oldal
... 121 6 Social time in The Winter's Tale 147 7 Race and the comedy of abjection in Othello 175 8 Calvin and Hobbes, or what was democracy 203 References 235 Index 251 To the memory of my parents Gertrude Shapiro Bristol 1912-1971.
... 121 6 Social time in The Winter's Tale 147 7 Race and the comedy of abjection in Othello 175 8 Calvin and Hobbes, or what was democracy 203 References 235 Index 251 To the memory of my parents Gertrude Shapiro Bristol 1912-1971.
xiv. oldal
... Calvin and Hobbes. Jordan Raphael led me to Morpheus, King of Dreams, and Lord Morpheus showed me how to bring this project to an end. And since this book is about long-term authority, this is probably as good a time as any to thank ...
... Calvin and Hobbes. Jordan Raphael led me to Morpheus, King of Dreams, and Lord Morpheus showed me how to bring this project to an end. And since this book is about long-term authority, this is probably as good a time as any to thank ...
203. oldal
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205. oldal
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213. oldal
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Tartalomjegyzék
The bias of the world | 30 |
Shakespearean technologies | 59 |
Crying all the way to the bank | 88 |
essential Shakespeare | 121 |
Social time in The Winters Tale | 147 |
Race and the comedy of abjection in Othello | 175 |
Calvin and Hobbes or what was democracy | 203 |
235 | |
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achieved activity actually aesthetic affirmation articulate artifacts artistic audience authorship Bakhtin Big-time Shakespeare Bloom Branagh Calvin Calvin and Hobbes Candlemas carnivalesque celebrity century character charivari commercial commodity companies complex contemporary context critics critique cultural authority cultural consumers cultural market cultural production culture industry Davenant Desdemona dialogue discussion early modern economic editors Edmond Malone ethical expression feast festive film fundamental Garrick gift gift economy Hamlet Harold Bloom historical human idea ideological important individual institutional interests interpretation Jacob Tonson judgements kind Leontes Liberace literary Lord Morpheus Malone Malone's edition marriage means ment Merchant of Venice misrecognition moral Morpheus notion Othello performance play's players political Polixenes popular practice printed radical readers reading recent ritual role sense serial reciprocity sexual Shakespeare's authority Shakespeare's plays sheepshearing show business simply social spatio-temporal specific standard story success successor cultures suggests temporal textual theater theatrical tion traditional William Shakespeare Winter's Tale