N vserer, whose Idol was his goulde, "AN Within his house, a peeuishe ape retain❜d: A seruaunt fitte, for suche a miser oulde, Of whome both mockes, and apishe mowes, he gain'd. At lengthe it hap'd? while greedie graundsir din'de? The GOD, wherein the Miser put his hope? Which soone he broch'd, and forthe with speede did flinge, And did delighte on stones to heare it ringe? The sighte, righte well the passers by did please, That all their life, their pouertie did ease. Of goodes ill got, loe heere the fruicte that commes. Shut windowes close, leste apes doe enter in, But woulde you learne to keepe, that you do winne? Then get it well, and hourde it not in store. If not no boultes, nor brasen barres will serue, : For GOD will waste your stocke, and make you sterue." Poor Caliban, in the Tempest (act ii. sc. 2, l. 7, vol. i. p. 36), complains of Prospero's spirits that,— "For every trifle are they set upon me ; Sometimes like apes, that mow and chatter at me, And after bite me." And Helena, to her rival Hermia (Midsummer Night's Dream, act iii. sc. 2, l. 237, vol. ii. p. 240), urges a very similar charge, "Ay, do, persever, counterfeit sad looks, Make mouths upon me when I turn my back; Wink each at other; hold the sweet jest up." There is not, indeed, any imitation of the jocose tale about the ape * and the miser's gold, and it is simply in "the mockes and apishe mowes" that any similarity exists. These, however, enter into the dialogue between Imogen and Iachimo (Cymbeline, act i. sc. 6, 1. 30, vol. ix. p. 184); she bids him welcome, and he replies,― "Iach. Thanks, fairest lady. What, are men mad? Hath nature given them eyes To see this vaulted arch and the rich crop Of sea and land, which can distinguish 'twixt Imo. What makes your admiration? Iach. It cannot be i' the eye; for apes and monkeys, 'Twixt two such shes, would chatter this way and Contemn with mows the other." There is a fine thought in Furmer's Use and Abuse of Wealth, first published in Latin in 1575, and afterwards, in 1585, translated into Dutch by Coornhert; it is respecting the distribution of poverty and riches by the Supreme wisdom. The subject (at * The character, however, of the animal is named in Midsummer Night's Dream (act ii. sc. 1, 1. 181), where Titania may look "On meddling monkey, or on busy ape." Vt Deus auctor opum quas olim Iobus habebat, Qui bonum vtrumg putat, Dominus quia donat vtrumque, Coornhert, 1585. p. 6) is Undeserved Poverty,-"The Lord maketh poor, and enriches." (See Plate XVI.) "The riches which Job had as God bestows, So giver of poverty doth God appear. Who thinks each good because from God each flows, Shall always each with bravest spirit bear." In the device, the clouds are opened to bestow fulness upon the poor man, and emptiness upon the rich. By brief allusion chiefly does Shakespeare express either of these acts; but in the Tempest (act iii. sc. 2, l. 135, vol. i. p. 48), Caliban, after informing Stephano that "the isle is full of noises," and that "sometimes a thousand twangling instruments will hum about mine ears," adds, "And then, in dreaming, The clouds methought would open, and show riches I cried to dream again." A very similar picture and sentiment to those in Coornhert are presented by Gloucester's words in King Lear (act iv. sc. 1, 1. 64, vol. viii. p. 366),— "Here, take this purse, thou whom the heavens' plagues Have humbled to all strokes: that I am wretched Makes thee the happier. Heavens, deal so still! Let the superfluous and lust-dieted man, That slaves your ordinance, that will not see So distribution should undo excess, And each man have enough." Coornhert's title, "Recht Ghebruyck ende Misbruyck vantydlycke have,"-The right use and misuse of worldly wealth,and, indeed, his work, have their purport well carried out by the king in 2 Henry IV. (act iv. sc. 4, l. 103, vol iv. p. 450),- "Will Fortune never come with both hands full, But write her fair words still in foulest letters ? She either gives a stomach and no food; Such are the poor, in health; or else a feast And takes away the stomach; such are the rich, 3 R |