Literary Value/cultural Power: Verbal Arts in the Twenty-first CenturySo many of us use words in ways we want others to value. We write letters, emails and poems. We tell stories to our children or our friends. Human beings have done this as far back as history can record, and the verbal arts are an intrinsic part of all societies. Indeed, they have become a defining element in national cultures. Today we have education systems, the commercial arena of publishing and bookselling, and increasingly the world of electronic media, all laying claim to the knowledge of literary value in the name of cultural power. At the same time more and more of us are writing, reading, speaking and listening, and making up different communities that value the verbal arts in ways rewarding to ourselves. As the separation between what used to be called 'high art' and 'popular culture' dissolves, there is a real problem for many of us in deciding what to read, or to whom we want to listen. |
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97. oldal
There is some cause for concern about this in the area of robotics , since the
robot - constructions will be able to take action and have effects in the social and
political world . Hence we have to be concerned about the ethics of the situation .
There is some cause for concern about this in the area of robotics , since the
robot - constructions will be able to take action and have effects in the social and
political world . Hence we have to be concerned about the ethics of the situation .
123. oldal
1 ) They invite an audience , they address their community of readers , whoever
they may be , and in doing so they deal with their own identity , a basic activity
that generates a sense of social position and agency from which social definition
...
1 ) They invite an audience , they address their community of readers , whoever
they may be , and in doing so they deal with their own identity , a basic activity
that generates a sense of social position and agency from which social definition
...
146. oldal
( Nichol 1988 : 21–22 ) Nichol starts with the social language for the chest that
promises all sorts of recognisable narratives , and then undercuts them in part 2
by allowing sound to take over from visual image , moving to an alternation
between ...
( Nichol 1988 : 21–22 ) Nichol starts with the social language for the chest that
promises all sorts of recognisable narratives , and then undercuts them in part 2
by allowing sound to take over from visual image , moving to an alternation
between ...
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Tartalomjegyzék
chapter two | 15 |
chapter three | 33 |
chapter four | 49 |
Copyright | |
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Más kiadások - Összes megtekintése
Literary Value/ Cultural Power: Verbal Arts in the Twenty-First Century Lynette Hunter Korlátozott előnézet - 2001 |
Gyakori szavak és kifejezések
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