Literary Value/cultural Power: Verbal Arts in the Twenty-first CenturySo many of us use words in ways we want others to value. We write letters, emails and poems. We tell stories to our children or our friends. Human beings have done this as far back as history can record, and the verbal arts are an intrinsic part of all societies. Indeed, they have become a defining element in national cultures. Today we have education systems, the commercial arena of publishing and bookselling, and increasingly the world of electronic media, all laying claim to the knowledge of literary value in the name of cultural power. At the same time more and more of us are writing, reading, speaking and listening, and making up different communities that value the verbal arts in ways rewarding to ourselves. As the separation between what used to be called 'high art' and 'popular culture' dissolves, there is a real problem for many of us in deciding what to read, or to whom we want to listen. |
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13. oldal
Just like the politicians who claimed to represent the people while they really
represented only a small group , the writers whose work became part of the
canon also represented only a small group of people . As Nayantara Sahgal says
...
Just like the politicians who claimed to represent the people while they really
represented only a small group , the writers whose work became part of the
canon also represented only a small group of people . As Nayantara Sahgal says
...
25. oldal
The artist does not represent people within the nation , but gives people the
agency to represent themselves – although Ondaatje does not go so far as to say
that this has an impact upon the nation . The English Patient puts the morality of ...
The artist does not represent people within the nation , but gives people the
agency to represent themselves – although Ondaatje does not go so far as to say
that this has an impact upon the nation . The English Patient puts the morality of ...
140. oldal
( Marlatt and Warland 1994 : 13 ) What emerges from these critical approaches is
a picture of a central systemic tradition which contains the legitimate images
through which we may represent ourselves . If we do not fit , then that tradition of
...
( Marlatt and Warland 1994 : 13 ) What emerges from these critical approaches is
a picture of a central systemic tradition which contains the legitimate images
through which we may represent ourselves . If we do not fit , then that tradition of
...
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Tartalomjegyzék
chapter two | 15 |
chapter three | 33 |
chapter four | 49 |
Copyright | |
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Literary Value/ Cultural Power: Verbal Arts in the Twenty-First Century Lynette Hunter Korlátozott előnézet - 2001 |
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