Literary Value/cultural Power: Verbal Arts in the Twenty-first CenturySo many of us use words in ways we want others to value. We write letters, emails and poems. We tell stories to our children or our friends. Human beings have done this as far back as history can record, and the verbal arts are an intrinsic part of all societies. Indeed, they have become a defining element in national cultures. Today we have education systems, the commercial arena of publishing and bookselling, and increasingly the world of electronic media, all laying claim to the knowledge of literary value in the name of cultural power. At the same time more and more of us are writing, reading, speaking and listening, and making up different communities that value the verbal arts in ways rewarding to ourselves. As the separation between what used to be called 'high art' and 'popular culture' dissolves, there is a real problem for many of us in deciding what to read, or to whom we want to listen. |
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45. oldal
Unlike many ' language poets ' as they are called , Zephaniah and Brathwaite
have overt political , social and cultural aims that are embedded in their poetics ,
which the immediate performance context of the word - music forms clarifies .
Unlike many ' language poets ' as they are called , Zephaniah and Brathwaite
have overt political , social and cultural aims that are embedded in their poetics ,
which the immediate performance context of the word - music forms clarifies .
127. oldal
of verbal diversity that has been transposed with exceptional sensitivity and craft
on to the page . One of the points made by the collection is that the entire life of
these women is infused with poetry , as one woman put it , “ You need the words
...
of verbal diversity that has been transposed with exceptional sensitivity and craft
on to the page . One of the points made by the collection is that the entire life of
these women is infused with poetry , as one woman put it , “ You need the words
...
140. oldal
One example of this might be lesbian love poetry , for , despite Sappho , the love
poetry tradition has been centred mainly on heterosexual male love . This critical
approach can be summed up by the phrase ' sacrificial aesthetics ' , and is quite ...
One example of this might be lesbian love poetry , for , despite Sappho , the love
poetry tradition has been centred mainly on heterosexual male love . This critical
approach can be summed up by the phrase ' sacrificial aesthetics ' , and is quite ...
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Tartalomjegyzék
chapter two | 15 |
chapter three | 33 |
chapter four | 49 |
Copyright | |
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Más kiadások - Összes megtekintése
Literary Value/ Cultural Power: Verbal Arts in the Twenty-First Century Lynette Hunter Korlátozott előnézet - 2001 |
Gyakori szavak és kifejezések
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