Literary Value/cultural Power: Verbal Arts in the Twenty-first CenturySo many of us use words in ways we want others to value. We write letters, emails and poems. We tell stories to our children or our friends. Human beings have done this as far back as history can record, and the verbal arts are an intrinsic part of all societies. Indeed, they have become a defining element in national cultures. Today we have education systems, the commercial arena of publishing and bookselling, and increasingly the world of electronic media, all laying claim to the knowledge of literary value in the name of cultural power. At the same time more and more of us are writing, reading, speaking and listening, and making up different communities that value the verbal arts in ways rewarding to ourselves. As the separation between what used to be called 'high art' and 'popular culture' dissolves, there is a real problem for many of us in deciding what to read, or to whom we want to listen. |
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37. oldal
Soon after her boy is born , and while the mother is out , he jumps into a frying
pan and fries himself , and when she comes home he announces that he is
Kalikalanje , the fried one . Eventually the wizard comes to claim the child and the
...
Soon after her boy is born , and while the mother is out , he jumps into a frying
pan and fries himself , and when she comes home he announces that he is
Kalikalanje , the fried one . Eventually the wizard comes to claim the child and the
...
38. oldal
Or , we could think about the endings : in the first tale the child forgives the
mother , but she eats the wizard and is sad that he is dead ; in the second , the
child kills the mother although it is not absolutely clear that she has given him up
to the ...
Or , we could think about the endings : in the first tale the child forgives the
mother , but she eats the wizard and is sad that he is dead ; in the second , the
child kills the mother although it is not absolutely clear that she has given him up
to the ...
40. oldal
For example , in the following extract from ' My Mother ' by Jamaica Kincaid , from
Antigua and the United States , note how rapidly the prose moves into the non -
realist , almost allegorical mode that challenges the idea of consistent character ...
For example , in the following extract from ' My Mother ' by Jamaica Kincaid , from
Antigua and the United States , note how rapidly the prose moves into the non -
realist , almost allegorical mode that challenges the idea of consistent character ...
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Tartalomjegyzék
chapter two | 15 |
chapter three | 33 |
chapter four | 49 |
Copyright | |
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Más kiadások - Összes megtekintése
Literary Value/ Cultural Power: Verbal Arts in the Twenty-First Century Lynette Hunter Korlátozott előnézet - 2001 |
Gyakori szavak és kifejezések
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