Literary Value/cultural Power: Verbal Arts in the Twenty-first CenturySo many of us use words in ways we want others to value. We write letters, emails and poems. We tell stories to our children or our friends. Human beings have done this as far back as history can record, and the verbal arts are an intrinsic part of all societies. Indeed, they have become a defining element in national cultures. Today we have education systems, the commercial arena of publishing and bookselling, and increasingly the world of electronic media, all laying claim to the knowledge of literary value in the name of cultural power. At the same time more and more of us are writing, reading, speaking and listening, and making up different communities that value the verbal arts in ways rewarding to ourselves. As the separation between what used to be called 'high art' and 'popular culture' dissolves, there is a real problem for many of us in deciding what to read, or to whom we want to listen. |
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... speaking and listening , and making up different communities that value the
verbal arts in ways rewarding to ourselves . ... culture ' dissolves , there is a real
problem for many of us in deciding what to read , or to whom we want to listen .
... speaking and listening , and making up different communities that value the
verbal arts in ways rewarding to ourselves . ... culture ' dissolves , there is a real
problem for many of us in deciding what to read , or to whom we want to listen .
. oldal
These chapters are concerned to explore in simple terms what happens when we
read or listen to texts that do not , in varying ... Rather , they try to explore how
reading / writing , speaking / listening , can be situated within specific work so that
...
These chapters are concerned to explore in simple terms what happens when we
read or listen to texts that do not , in varying ... Rather , they try to explore how
reading / writing , speaking / listening , can be situated within specific work so that
...
48. oldal
So , if we listen to Jack Mapanje , Wilson Harris , Claire Harris and E. Kamau
Brathwaite , we might then note how Nourbese Philip uses the nation language
insistence on the present tense alternating with abrupt past tenses of the
standard ...
So , if we listen to Jack Mapanje , Wilson Harris , Claire Harris and E. Kamau
Brathwaite , we might then note how Nourbese Philip uses the nation language
insistence on the present tense alternating with abrupt past tenses of the
standard ...
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Tartalomjegyzék
chapter two | 15 |
chapter three | 33 |
chapter four | 49 |
Copyright | |
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Más kiadások - Összes megtekintése
Literary Value/ Cultural Power: Verbal Arts in the Twenty-First Century Lynette Hunter Korlátozott előnézet - 2001 |
Gyakori szavak és kifejezések
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