Literary Value/cultural Power: Verbal Arts in the Twenty-first CenturyManchester University Press, 2001 - 156 oldal So many of us use words in ways we want others to value. We write letters, emails and poems. We tell stories to our children or our friends. Human beings have done this as far back as history can record, and the verbal arts are an intrinsic part of all societies. Indeed, they have become a defining element in national cultures. Today we have education systems, the commercial arena of publishing and bookselling, and increasingly the world of electronic media, all laying claim to the knowledge of literary value in the name of cultural power. At the same time more and more of us are writing, reading, speaking and listening, and making up different communities that value the verbal arts in ways rewarding to ourselves. As the separation between what used to be called 'high art' and 'popular culture' dissolves, there is a real problem for many of us in deciding what to read, or to whom we want to listen. |
Részletek a könyvből
1 - 3 találat összesen 26 találatból.
14. oldal
... discussion among different communities . That discussion and negotiation has to be learned actively , rather than accepted conventionally . We do not want simply to pay lip service to other writing communities , as this becomes a kind ...
... discussion among different communities . That discussion and negotiation has to be learned actively , rather than accepted conventionally . We do not want simply to pay lip service to other writing communities , as this becomes a kind ...
67. oldal
... discussion will dip rather eclectically into the medieval as the age of manuscript , the Renaissance as that exciting period juggling the oral with manuscript and print , rather as we are juggling the oral with print and electronic ...
... discussion will dip rather eclectically into the medieval as the age of manuscript , the Renaissance as that exciting period juggling the oral with manuscript and print , rather as we are juggling the oral with print and electronic ...
68. oldal
... discussion of non - oral verbal texts in Part I , and rein- force the case for the connection between electronic texts , writing and printing . PART I Medieval texts In the introduction to this chapter , I defined the printed book as a ...
... discussion of non - oral verbal texts in Part I , and rein- force the case for the connection between electronic texts , writing and printing . PART I Medieval texts In the introduction to this chapter , I defined the printed book as a ...
Tartalomjegyzék
chapter two | 15 |
chapter three | 33 |
chapter four 49 | 49 |
Copyright | |
6 további fejezet nem látható
Más kiadások - Összes megtekintése
Literary Value/ Cultural Power: Verbal Arts in the Twenty-First Century Lynette Hunter Korlátozott előnézet - 2001 |
Gyakori szavak és kifejezések
aesthetics argues artist Atwood audience autobiography Bannerji become Black bpNichol Brathwaite Calcutta Chromosome Canada canon centre century challenge chapter Claire Harris common ground context conventions copies critical Davey diaries discussion electronic England English English-language example experience fiction Frank Davey genre Geoff Ryman Gikuyu Hariharan hypertext individual interaction issues Jane Austen kind language letters listen literary value literature lives London look Margaret Atwood medium mother move narrative Nations negotiation Ngugi Ngugi wa Thiong'o Nourbese Philip novel Nunavut Arctic College offers oral orature partly person poem poet poetry political possible publishing reader recognise relationship representations reprinted by permission response rhetoric Ryman sense social society speaking specific story storytelling strategies structure SwiftCurrent talk tell texts tion traditional understand University University of Leeds verbal arts Virginia Woolf voice woman women words written