Literary Value/cultural Power: Verbal Arts in the Twenty-first CenturySo many of us use words in ways we want others to value. We write letters, emails and poems. We tell stories to our children or our friends. Human beings have done this as far back as history can record, and the verbal arts are an intrinsic part of all societies. Indeed, they have become a defining element in national cultures. Today we have education systems, the commercial arena of publishing and bookselling, and increasingly the world of electronic media, all laying claim to the knowledge of literary value in the name of cultural power. At the same time more and more of us are writing, reading, speaking and listening, and making up different communities that value the verbal arts in ways rewarding to ourselves. As the separation between what used to be called 'high art' and 'popular culture' dissolves, there is a real problem for many of us in deciding what to read, or to whom we want to listen. |
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12. oldal
During the nineteenth century , the massive circulating library called Mudie's was
the final arbiter on any literary book . Upcoming scripts were regularly sent to the
library by publishers , to ensure that Mudie's would take them into their stock ...
During the nineteenth century , the massive circulating library called Mudie's was
the final arbiter on any literary book . Upcoming scripts were regularly sent to the
library by publishers , to ensure that Mudie's would take them into their stock ...
107. oldal
... prose is full of energy . On 27 September 1850 , she writes : Maria came in this
evening and we have been taking turns reading aloud from a book called “ The
Young Emigrant ” ; it is about Is letter - writing literature ? 107.
... prose is full of energy . On 27 September 1850 , she writes : Maria came in this
evening and we have been taking turns reading aloud from a book called “ The
Young Emigrant ” ; it is about Is letter - writing literature ? 107.
140. oldal
Similarly , there are critical approaches that could be called ' agonistic aesthetics '
which set themselves up in opposition to that central tradition , continually testing
the limits to which it can be pushed or shifted . Significantly , proponents of ...
Similarly , there are critical approaches that could be called ' agonistic aesthetics '
which set themselves up in opposition to that central tradition , continually testing
the limits to which it can be pushed or shifted . Significantly , proponents of ...
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Tartalomjegyzék
chapter two | 15 |
chapter three | 33 |
chapter four | 49 |
Copyright | |
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Más kiadások - Összes megtekintése
Literary Value/ Cultural Power: Verbal Arts in the Twenty-First Century Lynette Hunter Korlátozott előnézet - 2001 |
Gyakori szavak és kifejezések
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