Literary Value/cultural Power: Verbal Arts in the Twenty-first CenturySo many of us use words in ways we want others to value. We write letters, emails and poems. We tell stories to our children or our friends. Human beings have done this as far back as history can record, and the verbal arts are an intrinsic part of all societies. Indeed, they have become a defining element in national cultures. Today we have education systems, the commercial arena of publishing and bookselling, and increasingly the world of electronic media, all laying claim to the knowledge of literary value in the name of cultural power. At the same time more and more of us are writing, reading, speaking and listening, and making up different communities that value the verbal arts in ways rewarding to ourselves. As the separation between what used to be called 'high art' and 'popular culture' dissolves, there is a real problem for many of us in deciding what to read, or to whom we want to listen. |
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39. oldal
Quayson delicately follows the rhetorical strengths of the text to argue for the
value of using the folk - tales , and goes on ... In “ Tradition and the West Indian
Noveµ , Harris argues that the twentieth - century preoccupation with
consolidation of ...
Quayson delicately follows the rhetorical strengths of the text to argue for the
value of using the folk - tales , and goes on ... In “ Tradition and the West Indian
Noveµ , Harris argues that the twentieth - century preoccupation with
consolidation of ...
98. oldal
Another way of looking at this issue is laid out in a recent book by Espen Aarseth
, Cybertext : Perspectives on Ergodic Literature , in which he argues that
electronic texts require more interaction from the reader than do books . Yet the
only ...
Another way of looking at this issue is laid out in a recent book by Espen Aarseth
, Cybertext : Perspectives on Ergodic Literature , in which he argues that
electronic texts require more interaction from the reader than do books . Yet the
only ...
136. oldal
In the Phaedrus he argues that there are three types of rhetoric : the first is
persuasion to do with appetite and satiation – it is a rhetoric of exploitation ; the
second is persuasion by exchange , in which all parties know what the hidden
agenda ...
In the Phaedrus he argues that there are three types of rhetoric : the first is
persuasion to do with appetite and satiation – it is a rhetoric of exploitation ; the
second is persuasion by exchange , in which all parties know what the hidden
agenda ...
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Tartalomjegyzék
chapter two | 15 |
chapter three | 33 |
chapter four | 49 |
Copyright | |
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Más kiadások - Összes megtekintése
Literary Value/ Cultural Power: Verbal Arts in the Twenty-First Century Lynette Hunter Korlátozott előnézet - 2001 |
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