Literary Value/cultural Power: Verbal Arts in the Twenty-first CenturySo many of us use words in ways we want others to value. We write letters, emails and poems. We tell stories to our children or our friends. Human beings have done this as far back as history can record, and the verbal arts are an intrinsic part of all societies. Indeed, they have become a defining element in national cultures. Today we have education systems, the commercial arena of publishing and bookselling, and increasingly the world of electronic media, all laying claim to the knowledge of literary value in the name of cultural power. At the same time more and more of us are writing, reading, speaking and listening, and making up different communities that value the verbal arts in ways rewarding to ourselves. As the separation between what used to be called 'high art' and 'popular culture' dissolves, there is a real problem for many of us in deciding what to read, or to whom we want to listen. |
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118. oldal
I would not want to get rid of the concept of value and have a freefor - all in
aesthetics , after all , aesthetics are there to introduce ethical and moral issues
into skilled play or work . I suspect , however , that this problem arises mainly
from the ...
I would not want to get rid of the concept of value and have a freefor - all in
aesthetics , after all , aesthetics are there to introduce ethical and moral issues
into skilled play or work . I suspect , however , that this problem arises mainly
from the ...
136. oldal
comfort the reader : these are activities that I call aesthetics à la carte . To
participate in the work of articulating our own situatedness as readers or listeners
we need to read and listen to a text , get involved with how it makes meaning and
...
comfort the reader : these are activities that I call aesthetics à la carte . To
participate in the work of articulating our own situatedness as readers or listeners
we need to read and listen to a text , get involved with how it makes meaning and
...
138. oldal
If we read slowly enough , we do not need an aesthetic judgment about the
writer's canonicity to enjoy the words . ... with the growing number of diverse
voices , there has been perhaps not a collapse but an erosion of command
aesthetics .
If we read slowly enough , we do not need an aesthetic judgment about the
writer's canonicity to enjoy the words . ... with the growing number of diverse
voices , there has been perhaps not a collapse but an erosion of command
aesthetics .
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Tartalomjegyzék
chapter two | 15 |
chapter three | 33 |
chapter four | 49 |
Copyright | |
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Más kiadások - Összes megtekintése
Literary Value/ Cultural Power: Verbal Arts in the Twenty-First Century Lynette Hunter Korlátozott előnézet - 2001 |
Gyakori szavak és kifejezések
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