Enter Pifanio, and Imogen. Imo. Thou told'ft me, when we came from horse, the place Was near at hand. Ne'er long'd my mother fo Fifanio, Where is Pethumus? What is in thy mind, That makes thee ftare thus ? wherefore breaks that figh what's the matter? Why tender'ft thou that paper to me, with But keep that count'nance ftill. My husband's hand? Would be e'en mortal to me. Pif. Please you, read; And you fhall find me, wretched man, a thing Imogen reads. I THY miftrefs, Pifanio, hath play'd the firumpet in my bed: the teftimonies whereof lie bleeding in me. Speak not out of weak furmife, but from proof as ftrong as my grief, and as certain as I expect my revenge. That part thou. Pifanio, must act for me. If thy faith be not tainted with the breach of hers, let thine own hands take away life: I shall give thee opportunity at Milford-Haven. She bath my letter for the purpose; where, if thou fear to firike, and to make me certain it is done, thou art the Pander to her dishonour, and equally to me difloyal. Pif. What fhall I need to draw Hath cut her throat already. my ber fword? the paper - No, 'tis flander; Whole edge is sharper than the fword, whofe tongue Out Out-venoms all the worms of Nile; whofe breath All corners of the world. Kings, Queens, and states, To lie in watch there, and to think on him? And cry myself awake that falfe to's bed! Pif. Alas, good lady! Imo. I falfe? thy confcience witness, Iachimo, Thou didst accufe him of incontinency, Thou then look'dft like a villain: now, methinks, Thy favour's good enough. Some Jay of Italy (33) (Whofe mother was her painting) hath betray'd him: Poor I am stale, a garment out of fashion; And, for I'm richer than to hang by th' walls, I must be ript: to pieces with me: oh, -All good feeming By thy revolt, oh hufband, shall be thought (33) Some Fay of Italy, (Whofe mother was her painting) bath betray'd him.] This paffage has ftrongly lain under my fufpicion, tho' I have not ventur❜d to give it an emendation. If the text be genuine as it ftands, it seems to me to have this fenfe, whose mother was a bị, đị of the fame feather, i. e. fuch another gay ftrumpet: which is fevere. enough. I have imagin'd, the foet might have wrote; (Whofe mother was ber planting) i. e. was bared to her, and planted her on Pofibumus which is fill more farcaftical. Again, Mr. Rowe gives us a reading, which f should very eagerly efpoule, were I fure the word were standard, and that it were not coin d by the cafual inverfion of an M, into a W: (Whole wother was her painting) i. e. whofe chief beauty was her artificial face, her falfe complexion. For Mr. Gildon, in his fhort gl. ffary prefix'd to Shakespeare's poems, comes and boldly tells us, wother fignifies merit, beauty, &c. But I fhrewdly fufpect, he ftruck out these interpretations to fort with the fenfe of the reading he found in Mr. Rove; and trufted implicitly to his theme being genuine. But I have fearch'd in vain, and can find no fuch word as other SPELMAN in his Gloffary has P ૪, (i. e. woth) which he expounds, eloquentia, facundia, eloquzice. But this, I am afraid, in no kind will ferve our turn, M 6 Put Put on for villainy: not born, where't grows; Pif. Madam, hear me Imo. True honeft men being heard, like falfe Eneas, Were in his time thought falfe: and Simon's weeping Did fcandal many a holy tear; took pity From most true wretchedness. So thou, Pofthumus, Wilt lay the leven to all proper men ; Goodly, and gallant, fhall be falfe and perjur'd, I draw the sword myself, take it, and hit And, if I do not by thy hand, thou art 'Gaint felf-flaughter There is a prohibition fo divine, That cravens my weak hand: come, (Something's afore't-soft, soft, well no defence ;) [Opening her breaft. Cbedient as the fcabbard ! What is here? The fcriptures of the loyal Leonatus All turn'd to herefy? away, away, [Pulling his letters out of her bofom. Corrupters of my faith! you fhall no more Be ftomachers to my heart: thus may poor fools Stands in worfe cafe of woe. And thon, Pofthumus, It It is no act of common paffage, but Pif. O gracious Lady! Since I receiv'd command to do this business, Imo. Do't, and to bed then. Pif. I'll break mine eye-balls first: Didft undertake it? why haft thou abus'd So many miles with a pretence? this place? Pif. But to win time To lose so bad employment, in the which Imo. Talk thy tongue weary, speak, Pif. Then, Madam, I thought, you would not back again. Bringing me here to kill me. Pif. Not fo neither; But if I were as wife as honeft, then Imo. Some Roman Courtezan- I'll give him notice you are dead, and fend him Imo. Why, good fellow, What fhall I do the while ? where 'bide? how live? Or in my life what comfort, when I am Dead to my husband? Pif. If you'll back to th' court Imo. No court, no father; nor no more ado With that harsh, noble, fimple, Nothing, Cloten: That Cloten, whofe love fuit hath been to me As fearful as a siege. Pif. If not at court, Then not in Britaine must you 'bide. Imo. Where then ? Hath Britaine all the fun that fhines? Day, night, In a great pool, a fwan's neft. Pr'ythee, think, You think of other place; th' Ambassador, To-morrow. (34) Now, if you could wear a mien (34) Now, if you could wear a mind Dark as your fortune is,] But the difguife of her perfon is the only thing which Pifanio is here advifing; not that she should ftifle any qualifications or beauties of her mind. I therefore think, we may fafely read; Now, if you could wear a mien Or, according to the Frencb orthography, from whence, I prefume, arofe the corruption; Now, if you could wear a mine. Mr. Warburton. I have fhewn in a note, upon one of the former plays, that mien fignifies not only mine du visage, oris facies, the air and turn of the face; but also, kabitus, geftus corporis, the form and gefture of the whole perfon. That, |