Why this is indeed a show! It has called the dead out of the earth! The old grave-yards of the hills have hurried to see! Arms in slings! old men leaning on young men's shoulders! What troubles you, Yankee phantoms? What is all this chattering of bare gums? Does the ague convulse your limbs? Do you mistake your crutches for fire-locks, and level them? If you blind your eyes with tears, you will not see the President's marshal; If you groan such groans, you might balk the government cannon. For shame, old maniacs! Bring down those tossed arms, and let your white hair be; Here gape your great grand-sons-their wives gaze at them from the windows, See how well dressed-see how orderly they conduct themselves. Worse and worse! Can't you stand it? Are you retreating? Retreat then! Pell-mell ! To your graves! Back! back to the hills, old limpers! But there is one thing that belongs here—shall I tell you what it is, gentlemen of Boston? I will whisper it to the Mayor-he shall send a committee to England; They shall get a grant from the Parliament, go with a cart to the royal vault-haste! Dig out King George's coffin, unwrap him quick from the graveclothes, box up his bones for a journey; Find a swift Yankee clipper-here is freight for you, black-bellied clipper, Up with your anchor! shake out your sails! steer straight toward Boston bay. Now call for the President's marshal again, bring out the govern ment cannon, Fetch home the roarers from Congress, make another procession, guard it with foot and dragoons. This centre-piece for them: Look! all orderly citizens-look from the windows, women! The committee open the box, set up the regal ribs, glue those that will not stay, Clap the skull on top of the ribs, and clap a crown on top of the skull. You have got your revenge, old buster! The crown is come to its own, and more than its own. Stick your hands in your pockets, Jonathan-you are a made man from this day; You are mighty cute-and here is one of your bargains. CHARLES G. LELAND. [Born in 1824, of a family which has been settled in America since about 1570, and to which the antiquary John Leland belonged. Our author studied chiefly in Europe, and was a writer of position long before his Breitmann Ballads (the semi-German patois of which is well known in his native Philadelphia) set all sorts of people laughing. Meister Karl's Sketch-book, and The Poetry and Mystery of Dreams, are two of his principal works.] MANES. THERE'S a time to be jolly, a time to repent, The first as the worst we too often regard; There are snows in December and roses in June, The world is a picture both gloomy and bright, The valley is lovely; the mountain is drear, I have learned to love Lucy, though faded she be ; In London or Munich, Vienna, or Rome, JOHN HAY. [Colonel Hay, born towards 1830, is author of Little Breeches, and other Pieces, Humorous, Descriptive, and Pathetic, published a year or two ago. They comprise some noteable specimens of that peculiar American knack of saying things with a twinge (as it were)-vigorously, unexpectedly, and with a pungency not exactly unpleasant, yet not quite pleasant assuredly]. JIM BLUDSO. WAL, no! I can't tell whar he lives, Whar have you been for the last three years, How Jemmy Bludso passed-in his checks, He weren't no saint-them engineers And this was all the religion he had- Never be passed on the river; To mind the pilot's bell; And if ever the Prairie Belle took fire A thousand times he swore, He'd hold her nozzle agin the bank All boats has their day on the Mississip, The Movastar was a better boat, But the Belle she wouldn't be passed; With a nigger squat on her safety valve, And her furnace crammed, rosin and pine. The fire bust out as she clared the bar, And quick as a flash she turned, and made There was runnin' and cursin', but Jim yelled out Over all the infernal roar, "I'll hold her nozzle agin the bank Till the last galoot's ashore." Through the hot black breath of the burnin' boat And they all had trust in his cussedness, And Bludso's ghost went up alone In the smoke of the Prairie Belle. He weren't no saint-but at jedgment That wouldn't shook hands with him. THE MYSTERY OF GILGAL. THE darkest, strangest mystery I've heern the tale a thousand ways, Tom Taggart stood behind his bar; At last come Colonel Blood, of Pike, Tom mixed the beverage full and far, Phinn to the drink put forth his hand; No man high-toneder could be found He went for his 'leven-inch bowie knife :- But I'll drap a slice of liver or two, My bloomin' shrub, with you.' They carved in a way that all admired,— Which caused him great surprise. Then coats went off, and all went in ; Like bull-pups, cheered the furse. They piled the stiffs outside the door; I've sarched in vain, from Dan to Beer- EDMUND CLARENCE STEDMAN. [Born about 1835. Author of The Blameless Prince, and other Poems, pub lished in 1869, and of at least two other volumes of poetry, previously issued]. PAN IN WALL STREET. JUST where the Treasury's marble front Looks over Wall Street's mingled nations, Where Jews and Gentiles most are wont To throng for trade and last quotations,- From Trinity's undaunted steeple ;— |