Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
Részletek a könyvből
1 - 3 találat összesen 78 találatból.
. oldal
... whole question of how it relates to the creative process . I have , in short , ruled out many of the most interesting questions about fiction . My excuse is that only in doing so could I hope to deal adequately with the narrower ...
... whole question of how it relates to the creative process . I have , in short , ruled out many of the most interesting questions about fiction . My excuse is that only in doing so could I hope to deal adequately with the narrower ...
197. oldal
... WHOLE WORK All of these kinds of commentary serve the purpose of heightening the intensity with which the reader experiences particular moments in a book . Though they may do other things as well , they are pri- marily justified by some ...
... WHOLE WORK All of these kinds of commentary serve the purpose of heightening the intensity with which the reader experiences particular moments in a book . Though they may do other things as well , they are pri- marily justified by some ...
303. oldal
... whole . Only a detailed consideration of the complete tale , with an explora- tion of possible modes of clarification , could tell us whether enough clues were provided . What meaning would it have to say to Joyce that he has asked for ...
... whole . Only a detailed consideration of the complete tale , with an explora- tion of possible modes of clarification , could tell us whether enough clues were provided . What meaning would it have to say to Joyce that he has asked for ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York