Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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127. oldal
... verse calls for an elegy completed in blank verse . Even so amor- phous a genre as the novel , with hardly any established conven- tions , makes use of this kind of interest : when I begin what I think is a novel , I expect to read a ...
... verse calls for an elegy completed in blank verse . Even so amor- phous a genre as the novel , with hardly any established conven- tions , makes use of this kind of interest : when I begin what I think is a novel , I expect to read a ...
128. oldal
... verse form come and go , for example , but meter and rhyme and the other musical devices of poetry do not lose their importance . With the surrender of verse , and with no conventional agree- ment whatever about what is good narrative ...
... verse form come and go , for example , but meter and rhyme and the other musical devices of poetry do not lose their importance . With the surrender of verse , and with no conventional agree- ment whatever about what is good narrative ...
335. oldal
... verse " ( p . 57 ) . Can the hero of Portrait be thought of as writing " sorry verse " ? One would not think so , to read much of the commentary by Joyce's critics . But who is to blame them ? Whatever intelligence Joyce postu- lates in ...
... verse " ( p . 57 ) . Can the hero of Portrait be thought of as writing " sorry verse " ? One would not think so , to read much of the commentary by Joyce's critics . But who is to blame them ? Whatever intelligence Joyce postu- lates in ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York