Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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142. oldal
... values , that the question of belief arises for discussion . Even when it does arise , it is often misleading if we think of be- liefs in terms of speculative theories . The great " Catholic " or " Protestant " works are not , in their ...
... values , that the question of belief arises for discussion . Even when it does arise , it is often misleading if we think of be- liefs in terms of speculative theories . The great " Catholic " or " Protestant " works are not , in their ...
143. oldal
... values - often in modern criticism called " myths " -for more conventional or public standards . Far from asking for objectivity , their authors have really asked for commitment on an unusual axis . The strangeness of much modern ...
... values - often in modern criticism called " myths " -for more conventional or public standards . Far from asking for objectivity , their authors have really asked for commitment on an unusual axis . The strangeness of much modern ...
144. oldal
... values of another kind are in operation in both works.24 But it is also true that neither Joyce nor Camus cares very much whether his characters are good in any sense of the word except the author's own . On the other hand , in the ...
... values of another kind are in operation in both works.24 But it is also true that neither Joyce nor Camus cares very much whether his characters are good in any sense of the word except the author's own . On the other hand , in the ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York