Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 32 találatból.
5. oldal
... sure of any of this information in real life , yet we are sure as we move through the Iliad with Homer constantly at our elbow , controlling rigorously our beliefs , our interests , and our sympathies . Though his commentary is ...
... sure of any of this information in real life , yet we are sure as we move through the Iliad with Homer constantly at our elbow , controlling rigorously our beliefs , our interests , and our sympathies . Though his commentary is ...
135. oldal
... sure whether to weep or cheer ; or if I am sure , I find out soon that I may very well have been wrong . My true love turns out to have , not a heart of stone - as might very well have happened in the older fiction and drama - but a ...
... sure whether to weep or cheer ; or if I am sure , I find out soon that I may very well have been wrong . My true love turns out to have , not a heart of stone - as might very well have happened in the older fiction and drama - but a ...
321. oldal
... sure that Swift valued subtleties and ambiguities more than effectiveness in conveying a simpler message , we must entertain the possibility that somebody- whether author or reader - has gone astray . Fortunately my main point here does ...
... sure that Swift valued subtleties and ambiguities more than effectiveness in conveying a simpler message , we must entertain the possibility that somebody- whether author or reader - has gone astray . Fortunately my main point here does ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York