Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 33 találatból.
139. oldal
... respect , if it is to be remembered as something more than a pleasant experience based on ephemeral trickery , we must be able to entertain the be- liefs on which Strether's discovery is based as among the intellec- tually and morally ...
... respect , if it is to be remembered as something more than a pleasant experience based on ephemeral trickery , we must be able to entertain the be- liefs on which Strether's discovery is based as among the intellec- tually and morally ...
238. oldal
... respect our relationship is more like identity than friendship , despite the many respects in which we " keep our dis- tance " from him . Montfichet tries rather half - heartedly for this same effect , but with his wretched Aunt Dinah ...
... respect our relationship is more like identity than friendship , despite the many respects in which we " keep our dis- tance " from him . Montfichet tries rather half - heartedly for this same effect , but with his wretched Aunt Dinah ...
396. oldal
... respect . But no one is ever the peer of any author in the sense of needing no help in viewing the author's world . If the novelist waits passively on his pedestal for the occasional peer whose perceptions are already in harmony with ...
... respect . But no one is ever the peer of any author in the sense of needing no help in viewing the author's world . If the novelist waits passively on his pedestal for the occasional peer whose perceptions are already in harmony with ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York