Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
Részletek a könyvből
1 - 3 találat összesen 45 találatból.
14. oldal
... require a much longer in- troductory section , and the comedy of the visit to fetch the falcon would be partially lost if we did not see more of the preparation for it than Federigo can possibly be aware of . Yet since it is primarily ...
... require a much longer in- troductory section , and the comedy of the visit to fetch the falcon would be partially lost if we did not see more of the preparation for it than Federigo can possibly be aware of . Yet since it is primarily ...
33. oldal
... require a more " saintly " char- acter , and if Moravia's require more " sin , " how can we say that their portraits suffer artistically from the very success they achieve in doing what is necessary in their respective works ...
... require a more " saintly " char- acter , and if Moravia's require more " sin , " how can we say that their portraits suffer artistically from the very success they achieve in doing what is necessary in their respective works ...
300. oldal
... require a nearly complete union of the narrator and reader in a common endeavor , with the author silent and invisible but implicitly concurring , perhaps even sharing his narrator's plight . The effects we turn to now require a secret ...
... require a nearly complete union of the narrator and reader in a common endeavor , with the author silent and invisible but implicitly concurring , perhaps even sharing his narrator's plight . The effects we turn to now require a secret ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York