Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 44 találatból.
233. oldal
... reason should they be cut short ? as at this rate I should just live 364 times faster than I should write - It must follow , an ' please your worships , that the more I write , the more I shall have to write - and consequently , the ...
... reason should they be cut short ? as at this rate I should just live 364 times faster than I should write - It must follow , an ' please your worships , that the more I write , the more I shall have to write - and consequently , the ...
284. oldal
... reason for the mystery is provided other than the narrator's desire to mystify . He knows all the time what he holds back until later , and though a skilful au- thor , like a skilful magician , can conceal his suppressions and un ...
... reason for the mystery is provided other than the narrator's desire to mystify . He knows all the time what he holds back until later , and though a skilful au- thor , like a skilful magician , can conceal his suppressions and un ...
318. oldal
... reason for assuming that the fault is the reader's . We may be tempted to laugh at the foolish Tories who were taken in by Defoe's impersonated Tory as he argued for ex- termination in " The Shortest Way with the Dissenters " ( 1702 ) ...
... reason for assuming that the fault is the reader's . We may be tempted to laugh at the foolish Tories who were taken in by Defoe's impersonated Tory as he argued for ex- termination in " The Shortest Way with the Dissenters " ( 1702 ) ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York