Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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. oldal
... questions about fiction . My excuse is that only in doing so could I hope to deal adequately with the narrower question of whether rhetoric is compatible with art . In treating technique as rhetoric , I may seem to have reduced the free ...
... questions about fiction . My excuse is that only in doing so could I hope to deal adequately with the narrower question of whether rhetoric is compatible with art . In treating technique as rhetoric , I may seem to have reduced the free ...
20. oldal
... question , a question that cannot be settled by any easy reference to abstract rules . As we begin now to deal with this question , we must never forget that though the author can to some extent choose his dis- guises , he can never ...
... question , a question that cannot be settled by any easy reference to abstract rules . As we begin now to deal with this question , we must never forget that though the author can to some extent choose his dis- guises , he can never ...
126. oldal
... question of how a man should live is important , or that this author's insights on the ques- tion are likely to prove valuable , we can never care very much for this novel , even though we may enjoy some of the lesser pleasures offered ...
... question of how a man should live is important , or that this author's insights on the ques- tion are likely to prove valuable , we can never care very much for this novel , even though we may enjoy some of the lesser pleasures offered ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York