Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
Részletek a könyvből
1 - 3 találat összesen 52 találatból.
52. oldal
... possible . To 44 Ibid . , n . 11 , p . 229. “ It is neither possible nor desirable to limit all novels to the story of a single day . . . . Devoting a book to twenty four hours rather than to one , or to an hour rather than to a minute ...
... possible . To 44 Ibid . , n . 11 , p . 229. “ It is neither possible nor desirable to limit all novels to the story of a single day . . . . Devoting a book to twenty four hours rather than to one , or to an hour rather than to a minute ...
303. oldal
... possible modes of clarification , could tell us whether enough clues were provided . What meaning would it have to say to Joyce that he has asked for " too much " cryptanalysis in Finne- gans Wake ? Too much for you and me , perhaps ...
... possible modes of clarification , could tell us whether enough clues were provided . What meaning would it have to say to Joyce that he has asked for " too much " cryptanalysis in Finne- gans Wake ? Too much for you and me , perhaps ...
368. oldal
... possible , the reader too . " An interesting new twist on the artist's goal : she writes not to express herself but to embarrass herself . Since she intends to embarrass the reader , too , presumably she requires that he identify with ...
... possible , the reader too . " An interesting new twist on the artist's goal : she writes not to express herself but to embarrass herself . Since she intends to embarrass the reader , too , presumably she requires that he identify with ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 további fejezet nem látható
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York