Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
Részletek a könyvből
1 - 3 találat összesen 66 találatból.
91. oldal
... poetic object."7 There was nothing new in the contrast of poetry with. 5 An Autobiography, ed. Frederick Page (London, 1950) , pp. 234-35. 6 "Modern Fiction," The Common Reader (London, 1925; New York, 1953), pp. 153-54. The essay was ...
... poetic object."7 There was nothing new in the contrast of poetry with. 5 An Autobiography, ed. Frederick Page (London, 1950) , pp. 234-35. 6 "Modern Fiction," The Common Reader (London, 1925; New York, 1953), pp. 153-54. The essay was ...
92. oldal
There was nothing new in the contrast of poetry with rhetoric or with mere prose . Indeed , the notion that recognizably rhetorical elements in poetry are at best necessary evils can be found in poetic theory from Aristotle on . " The poet ...
There was nothing new in the contrast of poetry with rhetoric or with mere prose . Indeed , the notion that recognizably rhetorical elements in poetry are at best necessary evils can be found in poetic theory from Aristotle on . " The poet ...
94. oldal
... poetic integrity . Paul Valéry , for example , whose essay on " Pure Poetry " has been echoed again and again by English and American poets and novelists , begins by distinguishing a pure poetic quality common to all true poetry . Poetry ...
... poetic integrity . Paul Valéry , for example , whose essay on " Pure Poetry " has been echoed again and again by English and American poets and novelists , begins by distinguishing a pure poetic quality common to all true poetry . Poetry ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 további fejezet nem látható
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York