Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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352. oldal
... picture of the ironies James intended to cluster about Lyon's picture of himself and his fellow liar , how do we account for the fact that only Marius Bewley , of those who have written about the story , has seen it from something like ...
... picture of the ironies James intended to cluster about Lyon's picture of himself and his fellow liar , how do we account for the fact that only Marius Bewley , of those who have written about the story , has seen it from something like ...
354. oldal
... picture " of the romantic past that James described many years later as so important to the story . The closest James comes to it here is “ the picture of the two faded , lying is " quite disinterested . " Instead of being " everything ...
... picture " of the romantic past that James described many years later as so important to the story . The closest James comes to it here is “ the picture of the two faded , lying is " quite disinterested . " Instead of being " everything ...
355. oldal
... picture , " an air or an at- mosphere , a past to be visited and recorded with all the poetic artistry at James's command . So far so good ; there is nothing in- herently incompatible about these two subjects . On the contrary , the ...
... picture , " an air or an at- mosphere , a past to be visited and recorded with all the poetic artistry at James's command . So far so good ; there is nothing in- herently incompatible about these two subjects . On the contrary , the ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York