Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
Részletek a könyvből
1 - 3 találat összesen 40 találatból.
. oldal
Acknowledgments Thanks are due the following publishers for permission to reprint passages from the works indicated : Edward Arnold Ltd .: From A Passage to India , by E. M. Forster , copyright , 1924 . Appleton - Century - Crofts , Inc ...
Acknowledgments Thanks are due the following publishers for permission to reprint passages from the works indicated : Edward Arnold Ltd .: From A Passage to India , by E. M. Forster , copyright , 1924 . Appleton - Century - Crofts , Inc ...
26. oldal
... passages in Stendhal and treating Poe and Hawthorne primarily as sincere forerunners of the moderns , finally arrives at Joyce's " The Dead . " The passage praising this excellent story is worth quoting at length . In fact , from the ...
... passages in Stendhal and treating Poe and Hawthorne primarily as sincere forerunners of the moderns , finally arrives at Joyce's " The Dead . " The passage praising this excellent story is worth quoting at length . In fact , from the ...
28. oldal
... passage " the action is not stated from the point of view of the author ; it is rendered in terms of situation and ... passages of this kind alone . See Bibliography , Sec . II , A. novel has at last caught up with poetry . ' Purity and ...
... passage " the action is not stated from the point of view of the author ; it is rendered in terms of situation and ... passages of this kind alone . See Bibliography , Sec . II , A. novel has at last caught up with poetry . ' Purity and ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
14 további fejezet nem látható
Más kiadások - Összes megtekintése
Gyakori szavak és kifejezések
aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York