Recueil général des opéras représentés par l'Academie royale de musique depuis son établissement, 1. kötetSlatkine Reprints, 1965 |
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1 - 3 találat összesen 41 találatból.
97. oldal
... object which will serve , in itself , as a formula for particular emotions . The truth is that dozens of different concepts of what is " natural " have been covered by this convenient notion of the object which corre- lates with the ...
... object which will serve , in itself , as a formula for particular emotions . The truth is that dozens of different concepts of what is " natural " have been covered by this convenient notion of the object which corre- lates with the ...
103. oldal
... object to all of this concern for the reader ? And what is it that distinguishes this ac- ceptable rhetoric from the tricks and contrivances to which we do object ? In chapter vii I try to grapple with these questions . At this point I ...
... object to all of this concern for the reader ? And what is it that distinguishes this ac- ceptable rhetoric from the tricks and contrivances to which we do object ? In chapter vii I try to grapple with these questions . At this point I ...
115. oldal
... object " ? If so , why may not the author provide , as part of the object , scenes designed to make the context clear to the reader but not really necessary to the " object " ? And if the object itself can be expanded in this way , as ...
... object " ? If so , why may not the author provide , as part of the object , scenes designed to make the context clear to the reader but not really necessary to the " object " ? And if the object itself can be expanded in this way , as ...
Tartalomjegyzék
True Novels Must Be Realistic | 23 |
All Authors Should Be Objective | 67 |
True Art Ignores the Audience | 89 |
Copyright | |
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aesthetic ambiguity artistic Aspern Papers beliefs chap chapter character comedy comic commentary complete consciousness conventional critics dramatic E. M. Forster effect Emma Emma's emotional Essays example experience F. O. Matthiessen fact Faulkner faults Federigo feel Flaubert George Eliot heighten Henry James hero human impersonal implied author important inside views intellectual intensity interest intrusions irony James Joyce James's Jane Austen Joseph Conrad Joyce Joyce's judgment Kenyon Review kind Knightley literary literature London look means ment mind modern fiction moral narrative narrator's natural never norms novel novelist object omniscient person plot PMLA poetry point of view Portrait precisely problem question R. P. Blackmur reader realism reality reflector reliable narrator rhetoric satire scene seems sense simply Stephen story sympathy technique tell thing tion Tom Jones trans Tristram Shandy true truth unreliable unreliable narrators values write York